I am over the moon about this. I am a cover girl. Well, really my quilt is, and it looks much better closely cropped than I do. 🙂 My Chevrons quilt is on the cover of the Nov./Dec. 2013 issue of Quilty Magazine.
I was beside myself when the folks at Quilty accepted my submission many months ago. I set to work diligently cutting and piecing this labor of love and giving little hints whenever I could. I was thrilled that someone wanted to publish it. Not that I don’t take pride in my work. It’s just that seeing it in print is somehow a validation of everything I work for.
I pieced it on my older Bernina 1630 and quilted it on my brand new Bernina 710 . (Buying a new machine mid-deadline can be a pretty stressful experience, LOL!)
I practiced on a bunch of scrap pieces before I was happy with the quilt design. I basted my quilt with lots of pins and anchored the rows by stitching in the ditch. I quilted straight lines about 1/4 away from the seams, using painter’s tape to help keep them straight.
Here’s a closeup of the back after all the rows were quilted. This is technically enough quilting for this quilt, but since I tend to go a little crazy when it comes to machine quilting, I decided to add quite a bit more.
I filled in all the Chevrons with straight lines using a blending thread. I added pebbles and echoed lines in the background, leaving some un-quilted areas to create a textural “relief”.
I was unsure how this would turn out, but once I flipped the quilt over to the back side, I was happy with how the texture was looking.
I’m still learning how to photograph my quilts so that the quilting can show, but it’s a work in progress. For some reason, I get better details when the quilt is flat on a table rather than a straight shot. I know it has something to do with the lighting.
The down side is that since I can’t get a straight on shot, you get to see my messy sewing room with ugly chairs, plastic bins, and cords sticking out everywhere, LOL!
It took me several years to get the quilting part down. It may be several more before my photography skills catch up to my quilting skills. Be sure to pick up your copy of Quilty so you can see it professionally patterned, styled, and photographed. 🙂
I almost forgot – I owe a huge thanks to the folks over at Micheal Miller who supplied their gorgeous Cotton Couture Solids to me to make this quilt. I simply adore solids!
Here’s a shot of the back. I’ve written up a separate tutorial on how to make your own colorful strippy backing here.



















