Tag: Fandangle Fabric

Pearl Pendants PDF Pattern Now Available for Purchase

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Great news! While I’m in the throws of quilt market prep for next week, I was able to finalize the Pearl Pendants quilt pattern that my good friend Heather Black from Quilt-achusetts and I collaborated on. Heather designed and made this stunning quilt to showcase Fandangle in my booth at quilt market next week, and we both co-wrote the pattern.

Click here to purchase and instantly download the PDF pattern for Pearl Pendants

Click here to pre-order the print version (ships on or before June 1.)

Pearl Pendants pattern by Heather Black and Christa Quilts

I like to offer my patterns in both print and PDF versions because I know that some folks like to have instant access while others like to work with the physical pattern.

Check out a detail of the beautiful quilting the Heather did:

Quilting Detail for Pearl Pendants

She quilted a combination of straight lines, plus a spirograph/floral motif in each of the blocks. Didn’t she do such a stunning job?? The quilt is made from 20 fat quarters of Fandangle fabric plus background, but of course it would look great in other fabrics, too!

I’ll share  more pics of this quilt as soon as I get back from quilt market, so stay tuned!!

The Making of Surplus Strips Part 3 – Machine Quilting and Binding

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Although machine quilting is my favorite part of making any quilt, I really enjoy the entire process from start to finish. Even though I’m on a tight deadline, it’s been fun to document my progress on Surplus Strips as I go. Be sure to check out my last post for tips on piecing the quilt top and basting it.

Choosing Thread Color

Aurifil Thread Variegated Pink

Audition thread to see which color blends in best. For multicolor quilts, go with a lighter thread on a darker fabric, rather than darker thread on lighter fabric.

I’ve been playing around lately with Aurifil variegated thread, so I chose a pink (#3660 Bubble Gum) for the warm colorway of Surplus Strips. I wasn’t sure how much thread I’d end up using, and since I only had one spool on hand, I chose a 50 weight thread in a similar color for the bobbin. I always try to use the same or similar color in top and bobbin so that I don’t get “pokies” – dots of thread on the top or bottom of the quilt.

Aurifil Creme De Menthe on Surplus Strips

The teal colored thread has a more pronounced color change than the pink.

For the cool colorway, I went with Creme De Menthe #4662. No matter which color thread you use, the more quilting you add, the less you’ll notice the thread and the more you’ll just see the overall texture.

Free-Motion Quilting Surplus Strips

Machine Quilting Surplus Strips

I scrunch and smoosh the quilt under the machine any way I can.

Whenever I quilt, I always start on the right side of the quilt and work my way towards the center. When I reach the middle, I rotate the quilt and keep on going. For an allover/meander type block, I just focus on one are of the quilt so that I don’t get overwhelmed.

Free Motion Quilting Jagged Stipple

I love the slight color change with the pink variegated thread!

Because many of the fabric prints I design are based on some of my favorite machine quilting motifs, I really wanted to play that up with these quilts. For the warm colorway, I quilted “jagged stipple” which is one of the quilt designs I love to teach in my workshops. Can you see how it’s basically the same motif as the “Paper Cuts” print from Fandangle?

Free Motion quilting jagged stipple

Jagged stipple is one of the motifs included in my book Piece and Quilt with Precuts.

When quilting an allover design, sometimes it will show up on some fabrics and blend into others. But that’s okay. I love the overall texture that it gives to the quilt!

For the cool colorway, I quilted triangles that are similar to the “Triangle Trinkets” print from Fandangle. Any of the designs I quilt can be quilted on a smaller or larger scale. My rule of thumb is that if it’s an allover design, I’ll quilt it larger to fill more space quickly. For smaller, custom areas of the quilt, I’ll usually scale down the quilting motifs.

Free Motion Quilting Triangles

I love how the variegated thread gives depth and dimension to the quilt!
I also teach this quilting motif in my latest quilting book.

In my workshops, I always stress the point that I don’t worry too much about making my designs perfect. I like the irregular overall texture you can get from free-hand doodling with your machine. Besides, the best way to hide imperfect stitches is to surround them with more imperfect stitches!!

Triangle Trinkets from Fandangle

I chose Triangle Trinkets in turquoise for the backing.
Click here to see larger images of each fabric from Fandangle.

Binding the Quilt

Click here for my step by step binding tutorial from a previous quilt.

Press the binding

After I attach the binding to the quilt by machine, I press it away from the quilt. This makes it easier to wrap around the back of the quilt to ensure a nice flat binding.

Attaching the binding

The BERNINA Dual Feed acts just like a walking foot, but I can use any specialty “D” foot.

When I first started binding my quilts, I used 2 1/4″ strips, However, lately, I’ve cut them 2″ and I attach them using my BERNINA dual feed and 1/4 patchwork foot. This allows me to get an even quarter inch binding on both sides of the quilt.

Binding Surplus Strips

It was fun to make some extra blocks and throw them on the back of the quilt!

Once I wrap the binding to the back, I secure in place with Clover Wonder Clips. I like to secure the entire edge so that it’s ready to hand-finish without interruption. It usually takes about 3 boxes of Wonder Clips to go around the entire edge, but you could definitely use fewer if you like.

Binding with Wonder Clips

I quilted triangles on the front to match the triangles on the back!

Even though I’m on a tight deadline to finish these quilts, I still enjoy binding by hand. I was able to finish the warm colorway on an airplane trip last week, and I finished the cool colorway while watching a movie with my family.

Surplus Strips Quilt Pattern by Christa Watson

Click here to preorder Surplus Strips quilt pattern – ships on or before June 1.

Now all that’s left is to photograph these quilts, swap out the digital pattern cover above with the actual quilts and get them off to the printer! The PDF pattern will be coming soon, and you can pre-order the print version of Surplus Strips now.

Surplus Strips Quilt Warm Colorway

I had a whole row to myself on a recent flight and was able to finish this quilt on the plane!

Click here to pre-order bundles of Fandangle Fabric.
Click here to see all Fandangle quilt patterns.

Now I have one more quilt to finish up, and then it’s time to pack for quilt market. More about that soon, I promise!!

The Making of Surplus Strips Part 2 – The Quilt Top and Basting

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As I prepare for International Quilt Market, which is an industry trade show held this spring in Portland, Oregon (May 18-20), I’m sewing like a madwoman, finishing up samples to promote my new quilt patterns and Fandangle fabric line. I’m currently working on two versions of my Surplus Strips Quilt Pattern – in warm and cool colors. Click here to read my previous post about making the blocks.

Color Arrangement

Surplus Strips Blocks in Cool Fandangle

Arranging tiny blocks was much faster than using my design wall!

Although I designed both colorways in EQ8, I didn’t finalize the exact color placement for each block. Instead, I did something very low tech. I printed out a version of the quilt with the same number of blocks that I made and then cut out all of the tiny paper blocks to arrange on my work table. It actually went a lot faster than putting up the blocks on my design wall and arranging them there.

Surplus Strips Paper Blocks - Warm Fandangle

I like being able to rearrange the blocks until I’m happy with their color placement.
These paper blocks are only about 1″ wide!

Once I was happy with the color arrangement, I printed out the final layout in color, and organized the blocks on my work table by color. In other words, the printed out layout served as a “virtual” design wall that takes up a lot less space!

Surplus Strips Blocks Fandangle Warm Colorway

I printed out the layout in EQ8 which serves as my “virtual” design wall.

It was super fast to sew the blocks into rows using my printed out layout as a guideline. This quilt goes together in vertical columns, rather than horizontal rows, so I just had to make sure I kept everything in the correct orientation as I sewed.

Surplus Strips blocks Fandangle Fabric warm colorway

I sewed the blocks and sashing in order according to my printed out layout.

Pressing Seams Open

I used this process for both the warm and cool colorway, and it went super fast! Pressing all of my seams open really helped the quilt top lie flat when I gave it a final press. It also made it soooo much easier to line up the seams accurately! Because there’s no nesting, it’s important to pin generously while joining the blocks and rows. But I actually get better results and perfect seam joins when I press seams open & use pins, so it’s worth it to take the extra time.

Seams Pressed Open - Cool Colorway, Fandangle Fabric, Surplus Strips Quilt

Seams pressed open ensures a nice flat top, with no lumps and bumps!

When pressing seams open, be sure to use a shorter stitch length (like 2 instead of 2.5) to secure the seams. A shorter stitch also makes it less likely that you’ll see thread poking through the seams, too!

Bonus Measuring Tip

Measuring long borders

Use a ruler to extend the cutting length on your mat for long borders: place the folded end on the ruler, and cut on the mat. If I needed more length, I’d rotate the ruler longways.

Here’s a bonus tip when working with borders that are longer than your mat. When cutting, I fold the border fabric in half and use an “extend a ruler” – my phrase for extending the cutting length by using a ruler, lined up at the edge of the mat. I’ll use as many extra inches as needed to get a nice precise measurement when cutting. Just divide the needed length in half and count over that many inches on the extension ruler and mat.

More Pressing

Press the quilt on both sides

Speaking of pressing, once the quilt top is finished, I give it a final press on the front, too. It seems to make the quilt nice, flat and crisp, so it’s ready to baste! Whenever I press anything on my quilt, I always use a dry iron. I don’t like steam because it can burn your fingers and distort the fabric. Also, if the iron leaks or spits, you can get a nasty mess! If I need a bit of water for an unruly seam, I’ll just use a spray bottle filled with water instead.

Virtual Home and Studio Tour

Surplus Strips Quilt Tops Warm and Cool

Look closely and you can see 2 quilt tops waiting underneath the warm colorway. Plus there’s some yardage of Fandangle peeking out underneath the cool colorway.

When my quilt top(s) are finished and pressed, I hang them over the stair railing on the upper floor of my home so they don’t get wrinkled. Upstairs is my husband’s office, my daughter’s room, our bedroom and my sewing loft. Downstairs is my son’s room, work area for The Precut Store, living room, dining area, and kitchen. It’s a comfy home and we use every square foot!!

Here’s an image of my studio space, across from the stair railing where I hang my quilts in progress. This picture was taken back in 2014 for a magazine profile. It’s pretty much still the same!

Christa's Sewing Room

Image of my sewing studio 2014 – with 3 quilt tops that are still unfinished LOL!!

Our backyard is just off the kitchen downstairs, and is where I keep a plastic table set up on the patio for spray basting. I don’t spend nearly enough time in my yard as I do my sewing room, so it needs a little work, LOL!!

Spray Basting

Basting Outside

Click here for my spray basting tutorial using a design wall.
Click here for my spray basting tutorial using a table.

Once the backing and top are sprayed outside, I then bring them inside and assemble them on my design wall indoors.

Surplus Strips Batting

Take a picture of the batting with the quilt, and take note of what you like/don’t like.
I’m using Hobbs cotton batting for the cool colorway.

To keep track of which batting I use, I take a picture of the batting with the quilt top so I can remember. For these quilts, I used Hobbs cotton for the cool colorway and Hobbs silk for the warm. I used those particular battings because they are what I had on hand and didn’t have time to order anything else, LOL!!

But I love using natural fiber battings like cotton, wool, or silk because they cling to the quilt, provide good stitch definition, and allow the quilt to breathe and hang well.

Surplus Strips Warm Colorway backing

I’m using Hobbs Silk batting for the warm colorway.

Although the quilt pattern calls for all of one fabric for the backing, I had fun and made some bonus blocks with some of the leftover strips. Because I only have a limited amount of Fandangle yardage right now, I got creative with my piecing and used three different warm prints instead.

Surplus Strips Warm basting

Click here for a tutorial on how I made my design wall – back in 2013.

I like to make sure I have several inches of extra batting and backing beyond the quilt top. That way I don’t have to line things up perfectly, and the extra will get cut off when it’s time to bind.

Once it’s basted, I’ll trim down the backing and batting so that there’s only 1-2 inches sticking out. This prevents them from flipping backwards under the quilt, causing you to accidentally stitch through them while quilting. Please tell me I’m not the only one who’s done that!!

Pressing the Quilt After Basting

Notice how closely I trimmed the layers, with only about an inch or two of batting/backing sticking out beyond the quilt top. This prevents quilting the quilt to itself!

The final step is to press the quilt – yet again!! After it’s basted, I’ll press the quilt, first on the back, and then again on the front. This helps set the glue so the layers don’t shift. But more importantly, it allows me to work out any creases or bubbles on either side of the quilt. One the quilt is nice and flat, it’s sooo much easier to machine quilt!

Surplus Strips Quilt Pattern by Christa WatsonClick here to preorder the Surplus Strips quilt pattern – print version.
Click here to preorder Fandangle fabric bundles + background.

I hope you are enjoying seeing my progress as I make these quilts. Once they’re finished and photographed, I’ll release the patterns in both PDF and print. For now, you can pre-order the print version over at Shop.ChristaQuilts.com along with fabric to make them. (FYI the Fandangle 1/2 yard bundle + 5 yards of gray will be enough to make either quilt top.)

Now it’s time to quilt them – so stay tuned for part 3!!

The Making of Surplus Strips Part 1 – the Blocks

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I sure have enjoyed documenting more of my real-time progress as I create quilts to help promote my patterns, books and fabric. It’s so much more enjoyable to write about my process as I go, rather than trying to recapture the excitement months later!

Surplus Strips Quilt Pattern by Christa Watson

Click here to pre-order my Surplus Strips Quilt Pattern.

I’m currently making two versions of Surplus Strips – both in warm and cool colorways of my newest fabric line, Fandangle, which will be shown at Spring Quilt Market in Portland, Oregon, May 18-20. The pattern cover art above is shown using my digitally created images from EQ8 as a placeholder until the quilts are finished and photographed.

Once that’s done, I’ll send it off to the printer and release a PDF pattern, too. For now, you are welcome to preorder the print version which will ship on or before June 1, 2018.

Fandangle Fabrics Cool Colorway

Fandangle Fabric in the Cool Colorway

Although my timeline is tight, I’m still going through the regular process I use to create a well-made quilt. I like to prewash and starch all of my fabrics for two reasons: (1) it gets rid of the excess dye so there’s no chance of bleeding or ruining the quilt and (2) the starch makes the fabric stiffer so there’s less stretch while piecing.

My number 1 starching tip is to spray starch on one side of the fabric, then flip it over and iron the other side. Then repeat – starch the side you just ironed, flip it over again and press from the other side. The prevents the iron from burning the starch so you don’t get flakes! Starching and pressing both sides makes the fabric more crisp so it’s easier to work with. Also – I just use cheap starch from the grocery store and I’ve never had a problem with it.

Fandangle Fabrics Warm Colorway

Fandangle Fabric in the Warm Colorway

My Surplus Strips pattern is written for either precut 2 1/2″ strips or yardage. You can go super scrappy with a single jellyroll + background, or do a color blocked quilt like I’m doing. For yardage, It takes about 1/3 yard of 9 different fabrics plus 4 3/4 yards background + binding.

Surplus Strips Quilt Warm Colorway of Fandangle

I like stacking my pieces so they look pretty!

I paired up the darker gray confetti crosshatch print with the warm colorway of Fandangle, and the lighter gray with the cool colorway. If you are interested in using the same fabrics as me, you can preorder 1/2 yard bundles of Fandangle + 5 yards of either gray and you’ll be set, with a little leftover fabric.

Seams Pressed Open

Pressing seams open ensures flat blocks, and a flat quilt top.

I started cutting out the fabrics for both quilts while I was away on my last teaching trip. When I returned home, I finished cutting all of the pieces for the warm colorway and made all of the blocks in about two days. I used a shorter stitch length for piecing (1.8 instead of the default 2.0) and pressed all of my seams open (with a dry iron, no steam). This will allow the blocks to lie flat for domestic machine quilting.

Surplus Strips Quilt Block Warm Colorway of Fandangle

Surplus Strips Blocks in the Warm Colorway of Fandangle

After piecing the blocks in the warm colorway, I jumped into making the blocks in the cool colorway. I like making two quilts at a time, so I can assembly line the process as much as possible.

Surplus Strips Fandangle Fabric Cool

Units are cut and stacked and ready to sew!

Here are a couple more piecing tips that make the blocks go together smoothly and stay square: when sewing, I pieced with the gray units on top to ensure that I switched sewing directions each time I joined the units. When you join two seams in opposite directions, it helps prevent block distortion. It’s not a huge deal on smaller units, but if you are sewing long strips together, it can be more noticeable.

Lining up block seams

Step 1 for proper alignment – match up the fabric seams.

Also, in order to get the top and bottom of each plus block to line up correctly, I placed the top unit right sides together on top of the partially sewn block to see exactly where things needed to line up to keep the seams in alignment. The pressed open seams really help me see this part.

Aligning units for quilt blocks

Step 2 for proper alignment – fold back to make sure lines are straight.

Then, I folded it back up partially to make sure it’s in the proper position before sewing. I didn’t actually need to use any pins because the blocks were small enough and I used my fingers to keep the edges lined up at all times.

Surplus Strips Blocks Fandangle Fabric cool colorway

Click here to preorder bundles of Fandangle fabric by colorway + background fabric.
Click here to preorder the Surplus Strips quilt Pattern.

The blocks went together even faster this time around and I love the color distribution! Now it’s time to sew the blocks together and finish up the quilt top. I’ll make both tops and then have a little basting party to make that chore a little less painful, lol!! I’ll be using my spray basting method that you can read about here (wall basting) or here (table basting).

Stay tuned for the next update!

Introducing my second fabric line – Fandangle – from Benartex/Contempo

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Fandangle is a silly but real word that means “excess ornamentation or embellishment.”
It includes a total of 20 fresh, geometric prints in two colorways – cool and warm.

Fandangle Fabric by Christa Watson Cool Colorway

These 10 prints are from the cool colorway of Fandangle

I named this collection Fandangle as sort of an inside joke to myself. It’s  tongue-in-cheek nod to the fact that I don’t actually embellish or be-dazzle my quilts with any type of bling. Not that there’s anything wrong with that of course, but it’s just not my style.

Fandangle Fabric by Christa Watson in the Warm Colorway

These 10 prints are from the cool colorway of Fandangle.

Fandangle Fabric Designs

The names are super fun and playful, too! Here’s a little bit more about each design:

“Baubles and Bits” is a medium to large scale print with fun flourishes. If you look closely, you can see a nod to my previous collection with the inclusion of some subtle boxes – one of the prints from Modern Marks. To give the print more depth, I also added some scattered triangles, and just the tiniest hint of beads, which show up more prominently in its own print.

Fandangle Fabric, Baubles and Bits print

Baubles and Bits comes in two colors: teal and red.

“Sparkling Squares” features retro star bursts and fun flourishes This is a companion print to Baubles and Bits but on a much smaller scale. I love being able to take a design element and try it out in different configurations – just like creating a quilt layout, right??

Fandangle fabric - Sparkling Squares

Sparkling Squares comes in two colors: teal/multi and orange/multi.

“Triangle Trinkets” is based on one of my modern machine quilting designs. But I didn’t want this print to read as a simple line drawing (I saved that idea for Paper Cuts, below.) This would make a fabulous backing print: you could quilt your quilt from upside down, following the outline of each triangle to add depth and dimension to your quilt!

Fandangle fabric -Triangle Trinkets

Triangle Trinkets comes in three colors: peach, lime and teal.

“Beaded Curtain” was inspired by another one of my machine quilting designs, “string of pearls.” But if you look closely, you’ll see all sorts of fun shapes – ovals, rectangles, squares, and there’s even some quirky triangles in there (another shape from Modern Marks).

Fandangle fabric - Beaded Curtain

Beaded Curtain comes in four colors: red, pink, lime and turquoise.

“Paper Cuts” looks most like one of my free-motion line drawings. I based it off of my “jagged stipple” motif, which many of my students tell me what their regular stipple looks like anyway. So they can rest assured that it’s a bona-fide modern design, NOT just a “creative” mistake, LOL!! I thought Paper Cuts was a more descriptive name that fits in with the artsy theme.

Fandangle Fabric Paper Cuts

Paper Cuts comes in four colors: yellow, orange, green and turquoise.

“Confetti Crosshatch” is the most versatile of the group. This is a remix of “Crosshatch” from Modern Marks, but on a smaller scale. It’s a prefect blender print and works fabulous as a background or binding. I was thrilled to include two shades of gray!

Fandangle fabric - Confetti Crosshatch

Confetti Crosshatch comes in five colors: light gray, red, lilac, teal and dark gray.

Feel free to pin and share any of these images to spread a little Fandangle fun with your friends. Then ask your favorite quilt shop to order Fandangle next time they meet with their Benartex/Contempo sales rep.

Fandangle Fabric Line by Christa Watson

Fandangle fabric by Christa Watson for Benartex released Summer 2018.

For Consumers:

Click here to purchage Fandangle yardage and bundles
Click here to purchase quilt patterns featuring Fandangle.

For Retailers:

Contact Benartex, Brewer, or Checker, or EE Schenck to purchase Fandangle fabric wholesale.
Contact me: christa@christaquilts.com for wholesale pattern orders.

My Pattern Writing Process and Sneak Peeks of Upcoming Quilt Patterns

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In an effort to share more of what I’m working on in real time – and to answer to the question – how do I get it all done?? – I’m excited to let you know what I’ve been working on the last few weeks. I’m currently writing and editing the next round of quilt patterns that will be released along with my next fabric line, and I couldn’t be more excited!!

Pattern Writing in Process

I’ve been posing the question to my friends and social media followers, asking if they’d like me to share real time updates, or wait until everything is polished and ready for purchase. I got a resounding “share now!” as the answer which made me sooo happy! I have a hard time suppressing my excitement for what I’m currently working on and I feel like I can be more genuine when I’m sharing in real time.

I also just got word that my fabric samples should arrive some time in the next week or two so I can actually start sewing the designs you see above. I’m also excited to collaborate with my friend Heather Black on one of them because she has the most amazing design sense!!

Pearl Pendants by Heather Black and Christa Watson

Pearl Pendants pattern coming soon – click here to preorder.

So here’s a bit of my pattern writing process for those that are curious. First, I design the patterns in EQ8, using digital swatches of the fabrics I plan to use. Next, I write the instructions while I’m waiting for the fabrics to arrive.

While editing the patterns, I use digital images as placeholders for the pattern covers until the quilts are made and can be photographed. Then it’s very easy to swap out the digital images with the photography, without altering the pattern layout. I send the rough draft of the pattern to my graphic designer to lay out and make everything look pretty, and then a technical editor checks all the math to make sure I haven’t missed anything.

Sparkling Stars front Cover

Sparkling Stars pattern coming soon – click here to preorder.

Once the fabric arrives, I make the quilts following my own instructions so that I can pattern test and see if there are any steps I missed. While I’m making the quilts, digital images of the covers are sent off to the distributors (companies who sell patterns on a mass-scale to quilt shops) so they can get them in their system in time for shops to pre-order.

Once the quilts are finished, they are photographed and cover images swapped out with the real ones, and I do once last round of editing to make sure everything looks right. Then patterns are sent off to the printer for physical copies, and PDF downloads are uploaded to my Craftsy shop for sale.

Surplus Strips Quilt Pattern by Christa Watson

Surplus Strips pattern coming soon – click here to preorder.

As you can imagine, the timing is critical to make sure everything happens in the right order. My process is probably a bit different than pattern designers who aren’t working with a specific fabric line. But I like the challenge of making all the parts fit together.

You can see sneak peeks of the fabric line in the quilt pattern covers above, but I’ll be happy to tell you more about the fabric when my samples arrive in the next few weeks. Quilt shops will be able to order it later this spring, usually around quilt market in May – and I’ll be there in person showing off these quilts and more “in the cloth.” Then the fabric will arrive in shops around mid summer – sometime in June or July. I can’t wait!!