Have you seen the awesome new collaborative book from Martingale/That Patchwork Place and Robert Kaufman? It’s called Rock Solid, featuring 13 different quilt designs made from Kona Solids. My contribution, Lanterns, made the cover, so I thought it would be fun to tell you a little bit more about my quilt. But first, look at all that yummy solid goodness on the cover!
My quilt, Lanterns, was made from one roll-up (jelly roll) of my Christa Watson designer palette for Robert Kaufman, along with one roll-up of Kona coal. Aren’t they a smashing combination??
I came up with the design while I was playing around in EQ7 (Electric Quilt software) on my Mac. I’m always designing and playing around with shapes and colors. I’ll usually start with a seed of an idea and then it branches off into a design on its own. The fun thing about my process is that I usually end up with at least 4-5 different variations in different stages of completion. Whenever I’m ready to finalize a new design, I start by looking through my “virtual sketchbook” first!
As you can see, my virtual EQ7 sketch is very similar to the final quilt. Usually when I’m playing around, I’ll randomly color the quilt but I don’t worry about whether or not the colors end up in the exact same spot as designed. Just using the same swatches of color is good enough for me to get an idea of how the quilt will look.
Step 1 – Stitch in the Ditch
When it’s time to plan out the quilting, I’ll print off the EQ7 sketch on paper and then start drawing possible quilting ideas. I know that you can actually draw quilting designs in the program, but it’s usually just faster and easier for me to draw it out by hand. 🙂
Step 2 – Echo the Ditch
I usually make a quilting plan for each quilt I make because it’s much faster to draw out several ideas on paper, than try to dive into the quilt with no plan and then not like the results! I finally put a name to this process of “finding your path” when my first Craftsy class came out earlier this year.
Step 3 – quilt one design in the background between the blocks.
For the actual quilting I use another process I call “divide and conquer” where I break up the quilting into different segments and just attack one segment at a time. I teach this in my in-person workshops and I love seeing other students get it and start applying it to their own quilts!
Step 4 – quilt a contrasting design in the blocks.
As you can see, my drawing lines are pretty wonky, but that’s okay – it’s the actual stitching that counts! Of course, I draw the designs on paper with contrasting ink so I can see them, but when I do the actual quilting, I use a blending 50 wt. Aurifil cotton thread. For this quilt I used just two thread colors – yellow for the blocks and gray for the background (both from my Piece and Quilt Collection).
Machine quilting detail – I can quilt better than I can draw!
I sure had a great time making my solid colored quilt.
Click here to see all of the quilts from the book and grab your copy!
Giveaway!! If you’d like to win an e-copy of this book, just leave me a comment letting me know if you’ve ever made a completely solid quilt before. If so – how did you like it? I’ll choose a random winner at 6 PM Pacific Time on Saturday, June 17th
