My Fabric Design Process – An Ask Me Anything Discussion

In one of my early Ask Me Anything episodes in the Christa Quilts Group on Facebook, lots of folks were interested in my fabric design process. So I’ve put together some images and files to share a peek into how the process works for me, and my experience in designing fabrics for Benartex.

GRIDWORK at Quilt Market Fall 2019

Quilt Market Fall 2019 GridworkMy Gridwork fabric line, shown at fall market last year.

About five years ago, I decided to get serious about designing fabric. As part of that goal, in 2016 I went to an industry event sponsored by Sara Lawson @sewsweetness and Brenda Ratliff @pinkcastlefabrics. It was called Sew Pro and it was only held that one time.

It was geared to helping people understand the different ways you could get involved behind the scenes of the industry. After that event, I decided to give myself five years to figure it all out, find a fabric company, pitch my ideas, learn the technical aspects and so on.

Two days later, the most unusual thing happened. (Really and truly, this almost never happens.) Benartex called and said they wanted to produce some modern-type fabrics under their Contempo label, and would I be interested in designing for them.

“Um…YES!”

But in the same breath I said, “I don’t really know how to do that.”

Now before I tell you the rest of the story, I should explain that I had already established myself as a Martingale author and a Bernina ambassador. I’d spent years developing a network in the industry, so while it was completely out of the blue for them to call me, it also wasn’t completely out of the blue for them to call me.

Bernina actually owns Benartex as well as a distributor called Brewer Sewing, so my connections in other parts of the industry helped me break in to the fabric design arena. 

Now Back to the rest of the Story:

 

As it turns out, there are at least three different ways to design fabric.

  1. 100% of the work is done by the designer
  2. Designer collaborates with a team at the fabric company
  3. Design work done by a team at the fabric company, designer’s name is attached to the fabric

 

My work with Benartex falls under #2 above: It’s a design collaboration.

When I told them I didn’t know how to design fabric, their response was, “No problem!” They assured me they had people skilled in the technical aspects and that we could work together.

So I jumped in, and Good Vibes (out in July) is my sixth collection for Benartex! (Cannot wait to show you all the fun things we’ve made with it!)

 

The Design Process

Before anything else can happen, I come up with ideas for prints and make rough sketches with notes. (Side note: Ideas are everywhere! One print in Gridwork was inspired by a bath mat in a hotel.)

 

The first thing we did with Modern Marks was to establish a “look.” (And by the way, that look is something I have continued through all of my lines.) When the first samples (below) came back to me, I thought they were beautiful, but they were not the look I was after. They were blendy and batiky and I wanted a flat, geometric, modern feel.

 

The first paper swatches that came back from Benartex

 

I got more descriptive about what I wanted, and we worked our way closer. This is how it happens.

A more evolved concept for Modern Marks on paper—we were getting closer!

 

We go back and forth as I share my ideas and vision, and they continually refine it and bring it closer and closer to what’s in my mind.

They create the repeats and together we work on getting the colors just right. The stylist and the graphic designers have the technical expertise and they help me bring my ideas to life!

 

Then comes The hard part…

 

Quirky Triangles made the cut, but Donuts did not.

Eventually we have prints and colors I’m happy with and then comes a really difficult part: narrowing it down. My collections are usually from 20 to 25 prints, which means I always have to weed out a few.

Heartbeat was cut from Modern Marks, but Herringbone stayed in.

It is so much fun when the final swatches are done! I usually only see the line on paper until I get the actual fabric months later. But this is the culmination of much hard work, many twists and turns and a few tricky decisions! It’s all worth it when you see the collection together!

Final swatches for Modern Marks

The Good News

Fortunately, just because an idea doesn’t work for one collection doesn’t mean it won’t ever work. I tuck all of the rejects away, literally (in a drawer) and figuratively (in my head) because they make great starting points down the road. More on that a little later.

My first computer drawings for Fandangle were reminiscent of Spirograph as a kid.

 

For Fandangle, I had the childhood concept of Spirograph in my mind and wanted to do a little more of the computer work myself. Above are the early images I created in Illustrator.

 

The design starts to evolve for the main Fandangle print.

 

Just above are some of the paper swatches that came back to me as we collaborated.

 

The final design of the main or “hero” print for Fandangle

 

And these are the final look for the main print in Fandangle. There are many steps that happen between these images, but you’re getting the idea of how it works.

Let’s circle back to the idea of rejects being useful down the road. On the right in the photo above is my upcoming line called Good Vibes. On the left are some low-volumes I wanted for Modern Marks that didn’t work out.

The main idea for Good Vibes was soft and loud: low-volume prints and bold, saturated prints together. The low volume idea was something I had to scrap from Modern Marks, but I held on to it and half a dozen collections later, it’s going to be one of my very favorites! Good Vibes will ship to stores in July; ask for it at your local quilt shop!

Mockup of the promotional folder for Modern Marks

One of the last things that happens is the creation of the promotional materials. The Benartex people send me a mockup (above) and later the final folder, which is used to show the fabric to potential buyers during quilt market, and by sales reps visiting quilt shops around the country.

 

It’s still amazing to me that from my simple drawings such a beautiful thing can appear! If you’ve read this far, I want to offer you a deal.

Use Code Gridwork for 10% off GRIDWORK BUNDLES

There are bundles of Breeze and Citron Gridwork fat quarters in the shop. Use the code GRIDWORK to get 10% off. And thank you for being here!

Click here to get the Gridwork Citron Bundle (shown above). 

Click here to get the Gridwork Breeze Bundle (shown below). 

Use the code GRIDWORK to get 10% off.

 

For a little more of an in-depth discussion of fabric design from my perspective, watch Ask Me Anything on video below.

And join me every Tuesday in the Christa Quilts Group on Facebook for “Ask Me Anything” at 3 pm Pacific time.

Here are links to several of the quilts/patterns/fabrics mentioned in the video below:

Click here for the free quilt pattern Rainbow Taffy.

Click here for the paper version of Surplus Strips.
Click here for the instantly downloadable pdf of Surplus Strips.

Ask Me Anything: Fabric Design Discussion on Video

Thanks for being here! I’m so grateful for you guys!

Check out my Custom Color Bundles: Fat Quarters from ALL of My Fabric Lines!

I’ve been working hard over the last few weeks, creating 11 gorgeous color bundles spanning all of my fabric lines for Benartex. A few weeks ago I got a request from some followers in my Facebook Group to create these custom color bundles, and I’m pleased to say they are now finally ready!

So let’s take a look at these beauties:

Reds: 12 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 12 fat quarters in pretty reds and pinks with a touch of other colors for added sparkle. Each fat quarter measures approximately 18″ x 21″.

Oranges: 10 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 10 fat quarters in warm shades or orange.

Yellows: 10 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 10 fat quarters in yellow with a touch of orange, white and gray for added depth.

Limes: 10 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 10 fat quarters in shades of luscious lime and chartreuse.

Greens: 10 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 10 fat quarters in shades of luscious green from mint to kelly.

Teals: 8 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 8 fat quarters in rich teal and turquoise with a hint of lime.

Light Blues: 8 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 8 fat quarters in light blues and aquas.

Dark Blues: 8 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 8 fat quarters in cool blues from sky to royal and navy.

Pinks: 9 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 9 fat quarters of pinks including lilac and fuchsia.

Purples: 12 Fat Quarters

Christa's Custom Color Bundle

This custom color bundle includes 12 fat quarters in sparkling purples from lilac and grape to magenta and plum.

Neutrals: 20 Fat Quarters in Black, White and Gray

Christa's Custom Color Bundle

This custom color bundle includes 20 fat quarters in light, medium and dark neutrals. These blacks, whites, and grays include fabulous patterns and interesting textures that will draw your viewers’ eyes deeper into any project you create!

Aren’t these all just so delicious??? One of the main reasons I love being a fabric designer is so that I can create colors, patterns and textures for my own personal stash! I’m so happy that I’ve been able to fill out a rainbow of color with my fabrics and I can’t wait to show you what’s yet to come!

Click here to see all color bundles at a glance.

Which colorway is *YOUR* favorite??

You’re Inspiring Me! See More Quilts Made from my Fabrics and Patterns

One of the best things about designing fabric is seeing how people use it. It’s absolutely inspiring for me when I notice your work using my fabric out in the world. It makes my day! Here are some recent examples.

Geo Pop Beaded Lanterns

Beaded Lanterns by Leesa Burr-Bates; pattern by Christa Watson.

Leesa Burr-Bates shared her Beaded Lanterns quilt top in the Christa Quilts Group on Facebook. If you’re not yet a member of the Group, you’re invited to join us!

Leesa used my Geo Pop fabrics from Benartex. I think she did a great job, and I can’t wait to see this one quilted up!

Click here to get Beaded Lanterns on my free quilt pattern page.
Click here to get the Geo Pop strip roll to make this quilt.

Made from Gridwork Strips

Sheila @mysteryquilter in New Zealand made this top from 2.5″ Gridwork strips.

Over on Instagram, Sheila from New Zealand made a snazzy top from a roll-up of Gridwork strips. This one keeps your eyes moving, doesn’t it?

Check out my Instagram feed.
Find a Gridwork bundle to treat yourself!

Blooming Wallflowers Quilt!

Bonnie Eicher’s Blooming Wallflowers piecing progress.

Bonnie Eicher pieced Blooming Wallflowers from a kit, and it turned out really well! Then she used a simple drawing app on her tablet to try out ideas for quilting.

Bonnie’s auditions for quilting.

Can’t wait to see her finish!

Find the Blooming Wallflowers quilt kit (throw size, 59″ x 76″).
Get the Blooming Wallflowers pattern instantly as a downloadable pdf.
Get the Blooming Wallflowers paper pattern.

Colourful Mod Cats

If you’re a friend of felines, check out these Mod Cats made from a variety of my fabrics. Mod Cat was designed by Linda and Carl Sullivan of Colourwerx in Palm Desert, CA. If you’d like to make one-color cats, my brand new bundles would make it easy: 

Try green or red! 

There are bundles of Turquoise/Teal, Yellow and Orange, too. 😊

And how about this beauty? 

New York Lattice in Geo Pop

New York Lattice by @sewjess, from a kit in Geo Pop from @timefliesquiltandsew

Jess @sewjess posted her New York Lattice quilt top recently.

The fabrics are from my Geo Pop line. Jess made the shop sample for @timefliesquiltandsew. I appreciate it when a shop puts my fabrics into a kit, thank you very much! 

Get a kit from Time Flies Quilt & Sew.

Geo Pop Zip Cases

Quick Zip Cases in Geo Pop fabrics, pattern byAnnie.com

These Quick Zip Cases are so handy for storing all kinds of items. And aren’t they cute in Geo Pop fabrics? The contrasting zippers are a nice added pop. The pattern for Quick Zip Cases is from byAnnie.com, and it’s just five dollars!

When you use my fabrics from any collection, please post it to your social media with the @christaquilts tag and #christaquilts, or send photos my way using christa@christaquilts.com. I’d love to see what you’re making!

Optical Illusion: Supply List, Schedule and Color Combos

Are you ready to join me for the adventure of a lifetime? Or at least a fun sewing escapade over the next several weeks? I’m excited to guide you as we make my Optical Illusion quilt from start to finish.  All you need is a copy of the Optical Illusion quilt pattern and a can-do attitude!

Optical Illusion Quilt

Optical Illusion made from Geo Pop, 67″ x 88″
Scroll this image to see the lines move!

My original version was sewn up in bold black, white and gray from my Geo Pop fabric line. I had requests to see how it would look in other colorways, so thank goodness for EQ8 software which allowed me to quickly recolor lots of fun combinations!

I made some of them into quilt kits which you can pick up if you desire, or just use them as a color guide and pick something similar from your stash.

Color Play: Choose Light, Medium and Dark

The trick to making the design work is the interplay of the values. Value is just the lightness or darkness of a fabric compared to its neighbors. For this design to work you need three fabrics that read as light, medium and dark.

So take a look at these color combos and scroll your screen up and down to see the illusion of the lines waving back and forth. Pretty trippy right?

The illusion works because the medium fabric is ALWAYS used for the skinny strips whereas the light and dark color combos are used for the squares.

Here’s another group of colors that also showcases the illusion with some interesting color combos:

Solids, or fabrics that read as a solid look best for the bold, graphic design, but that doesn’t mean you can’t use prints. Just be sure you choose something that is mostly one color or color family per print. Here’s another color grouping that works well:

Remember, for best results, use the lightest and darkest fabrics are for the squares, with the medium for the skinny strips. To test the value of your fabrics, take a picture set on gray scale from your camera phone. Then you can easily tell which should be classifued as light, medium or dark.

That’s a dozen different combinations that WORK! (Many are available as kits for the Quilt Along.) I have no idea why our brains read it this way, but it sure is cool, don’t ya think??

Now…

Watch what happens when the skinny strips are LIGHTER or DARKER than the two colors in the squares. It creates too much contrast and doesn’t give the illusion.

These 4 colorways above and below still make a nice looking modern quilt, so don’t despair if your color combos don’t work exactly as you thought. Part of the fun is learning new things, right??

For further discussion and some more examples, check out this video from my Facebook Live “Ask me Anything” series. Click the image below to play. It’s just under and hour and I go through color combinations as well as other quilty tips and advice asked by the audience. (I do these live sessions each wee k and have started posting them on YouTube so be sure to subscribe!)

In my examples, I’ve used mostly prints that read as one color for the best results. But don’t worry—the modern quilt design looks cool whether the illusion works or not!

Optical Illusion Supply List

Start thinking about the colors and fabrics that you would like to use, and gather up the needed supplies. The quilt pattern comes in three sizes. Click the pattern image below to expand.

Optical Illusion Quilt Pattern

Here’s what you need for the Twin size quilt top (67″ x 88″), which is what I made:

Get the Optical Illusion Quilt Kit, while supplies last!

Optical Illusion Quilt with Good Vibes Fabric

I can’t wait to show you how to quilt the walking foot spiral design!

Quilt Along Schedule

The links below will go live as each part is posted. Bookmark this page and refer back to the schedule anytime in the future to work on this quilt at your own pace.

Optical Illusion Quilt

SHARing is caring

If you’re an Instagram junkie (like me!), please tag me at @christaquilts and use the hashtag #opticalillusionquilt so I can see what you are doing and cheer you on!

If you’d like to ask questions or need additional help, please participate in my Christa Quilts Group on Facebook. It’s a great place to encourage your fellow makers and get additional ideas for fabric choices and a quilting plan!

Sign up for Email Notifications

Be sure to enter your email address in the box on the sidebar of this blog. If you are viewing this on your phone or tablet, scroll aaaaaaaallllllllllllll the way down to the bottom of the page to find the email address box.

New Quilt Pattern – Interlinked Available in Make Modern Magazine

I’m thrilled to introduce a brand new quilt to you today! It’s called Interlinked and was a design I came up with a couple years ago when playing around with some modern design ideas.

Interlinked Quilt PatternInterlinked Quilt by Christa Watson, 64″ x 80″
Made from neutrals of Fandangle, Geo Pop, and Gridwork

I love making all kinds of quilts and most of my designs fall on the “Modern Traditional” side of things. But with Interlinked, I wanted to get out of my comfort zone and really embrace modern principles like “minimalism” and “negative space.”

Interlinked Beauty Shots

I’ve also been having fun taking some styled shots of  my quilts. there’s something about surrounding a stark neutral quilt with some earthy color that makes it pop, don’t you think?

Interlinked Quilt by Christa Watson

The most fun part about making this quilt was combining white and gray prints from several of my fabric lines. After releasing my first fabric line, Modern Marks back in 2017, I realized I needed to add more backgrounds and neutrals to work with in each of my succeeding lines. So this one includes white & gray from Fandangle, Geo Pop and my newest line, Gridwork.

Interlinked Quilt by Christa Watson

I used the white/gray “Mosaic Dots” print from Geo Pop for the backing.

Get the Kit!

When I shared sneak peeks of me making this quilt a few months ago, I immediately got requests for kits once the pattern was available. So I’m happy to announce that kits are now in stock and ready to ship over in my online store at shop.ChristaQuilts.com.

Interlinked Quilt by Christa Watson

Click here to get the interlinked quilt kit (fabric only) while supplies last.

The pattern can be found in issue #34 issue of Make Modern Magazine, a PDF publication from my friends down under in Australia! You can purchase single issues, or a fabulous all access subscription that includes ALL back issues. (I actually have been published in their magazine at least twice before – so it will be a fun scavenger hunt to find my previous patterns!!)

Interlinked Quilt by Christa Watson

The quilt is actually really quick and easy to make and you can have fun with the quilting just like I did. I quilted a different geometric design in each fabric of the quilt and it was so fun putting this one together. It’s the first time I’ve made a quilt from my fabrics where I’ve used more than one collection and I really enjoyed the freedom of doing that!

Interlinked Free Motion Quilt Detail

Interlinked free-motion quilting detail – click image above to enlarge.

I hope you enjoyed looking at all these fun pics and I can’t wait to see your version of the quilt. When you make it, please use the hashtag #interlinkedquilt on social media so I can cheer you on!

Where to Buy

Interlinked by Christa Watson

Block Chain Quilt Finish – Ta Da!

I had so much fun making my Block Chain quilt, and I love seeing all the variations out there that others have made. I enjoyed experimenting around with the quilting on this quilt, and am excited to share this “Finish” post as a way to record all the details about this quilt!

Block Chain by Christa Watson

Block Chain QUILT STATS

Click here for the free quilt along to make this quilt.

Block Chain quilt by Christa Watson

Block Chain Quilt by Christa Watson

 

 

Block Chain Quilt Along Week 6 – Binding to Finish!

Thanks for joining me in this journey to make the Block Chain quilt. If you are still working on your quilt, scroll down to the end for links to all of the quilt along steps.

Block Chain by Christa Watson

This is the week to finish up your quilt with binding, but of course you can work at your own pace, and share your progress in my ChristaQuilts Facebook group anytime. And feel free to ask questions about this quilt. I want you to be successful from start to finish!

Quilt Binding

For my quilt, I used the Circle Grid print in black for the binding. I love the pop of interest it gives the quilt around the edges.

Gridwork Work Circle Grid Black

Here’s a roundup of quilt binding tutorials from other quilts I’ve made. I use the same process on all my quilts, whether I bind them by hand or machine. Check out these educational links below:

Click here for my Machine Binding Tutorial using a decorative stitch (YouTube Video)
Click here for my Machine Binding Tutorial using a straight stitch (Blog and Video)
Click here for my Hand Binding Tutorial (Blog Post with Pics)

Block CHain Quilt

If you’ve enjoyed this quilt along, be sure to sign up for my email newsletter for news about when the next quilt along will start. You can view all of my previous quilt alongs here.

FOR MORE INFO ABOUT THIS QAL

Block Chain QAL Week 4 – Batting, Backing and Basting

Now we come to everyone’s least favorite part of quilt-making: the basting! But if you take it one step at a time and prepare the layers of the quilt properly, this part will be a breeze, and you’ll be on to quilting in no time.

Block Chain quilt bating

The Batting Should be Several Inches Larger that the Quilt Top

The most important step in basting a quilt is to ensure that the batting and backing are several inches larger than the quilt top all the way around. Sometimes I can get away with less If I’m careful.

For me, the easiest way to measure the batting is to buy a roll of it, then unroll it across the width of the quilt top and roughly trim off the amount I will need. In the photo above, I’m using Hobbs Tuscany cotton/wool batting which is one of my favorites. It’s 90″ wide and folded double on the bolt. So after I trim off a chunk from the bolt, I’ll lay the quilt top out and trim of several inches from the top of the batting. I save those chunks to make practice quilt sandwiches later.

For my backing I used the same gray Hourglass print that I used for the background because I really like it! The busy print will help hide any quilting imperfections!

gridwork Hourglass gray

Click here to get the Gridwork Hourglass print by the yard.

Piecing the Backing

Refer to page 7 of the Block Chain quilt pattern for how big to cut your backing pieces. The backing should be a few inches larger than both the quilt top AND the batting so you have plenty of room for basting. The extra will get trimmed off later. I like to sketch out a diagram of my quilt backing so I know how to piece it together.

For my size quilt (69″ x 69″) I want to piece together a square that’s approximately 76″ – 80″ square. Once I trim off the selvages, the width of the diagram below will be about 80 wide. I can cut my backing (4 1/2 yds total for this size) into two equal pieces, about 80″ each (2 1/4 yds x 36″, rounded down an inch). I sew my backing together with 1/2″ seam and press the seams open.Pieced quilt back

Time to Baste!

I didn’t take step by step pics when I basted this quilt. However, I used my fast and easy spray basting technique that I use on each and every quilt. You can click here for a step by step photo tutorial of the process, or click the image below for a speedy YouTube video of the process (on my Infrastructure quilt:

Click here (or the image above) to see my speeded up spray basting video.

LOOKING AHEAD TO NEXT WEEK:

My favorite part of making any quilt is machine quilting it and I can’t wait to share some video snippets on how I actually quilted this quilt!! It’s a modern, geometric design that is fast, fun and easy to do! So join me again next week, and don’t worry if you aren’t to that point yet. I’ll keep these quilt along tips on my site indefinitely so you can refer to them any time you need to!

block chain quilt

WHERE CAN I FIND MORE INFO ABOUT THIS QAL?

Block Chain QAL Week 3 – Sewing the Quilt Top

How are your Block Chain quilt blocks coming along? Be sure to share pics of your progress in my ChristaQuilts Facebook group or instagram #blockchainquilt and ask any questions you have. I love to cheer you on!

Block Chain quilt pattern

Click here for my free tutorial on how to make a design wall.

This week it’s time to finish up those blocks and sew them into a completed quilt top, also knowns as a “flimsy.” Refer to the Block Chain pattern pages 5-7 for the step by step instructions.

The easiest way to arrange your blocks is to use a design wall so you can stand back and play around with the color placement of your blocks. Just don’t overthink it since they will look great no matter what!

If you don’t have a design wall, you can use a design floor, or maybe even a design bed! No matter where you lay them out, be sure to take a picture of them with your camera phone, so you can refer back to the layout again and again as you sew.

I was in a hurry to make this quilt so I don’t have a lot of in-progress pics, but I want to point out a little thing I like to do when sewing the blocks. You can see a closeup of the pattern layout here in this diagram:

block layout

Rotate every other block so that the background seams don’t intersect. This will make it faster and easier to sew the rows together. Pin generously for best results and press each row as you go. In fact, I like to sew pairs of blocks, then press them, then sew them into larger pairs. It’s easier to press smaller chunks of blocks so the whole process isn’t so overwhelming.

Sew a Victory Lap!

When the quilt top is complete, you’ll want to “stay-stitch” the edges by sewing all the way around the edges of the quilt (called the perimeter.) Do this about 1/8″ away from the edge so it will get hidden when you put on the binding. If you add borders to your quilt, you can skip this step since the borders will stabilize the edges instead.

LOOKING AHEAD TO NEXT WEEK:

After we are done with the top, it will be time to piece the backing, prep our backing and get ready to baste. This is a quick process so you can take a little extra time to finish your quilt top if needed.

My finished quilt top is ready to baste!

WHERE CAN I FIND MORE INFO ABOUT THIS QAL?

Block Chain QAL Week 2 – Sewing the Blocks

What a week it has been since we began! I know that many of you are home sewing and I hope this Block Chain quilt along is just what you need to make something beautiful when the world is in a bit of chaos! This week we will be sewing our chain blocks using the 5″ charm squares + black accent fabric.

Blockchain quilt blocks

My blocks above are made from Gridwork charm squares + square grid fabric in black

Follow the Block Chain pattern instructions on page 2 to trim down your black strips, and sew the center units shown above.

For the next step, I used the hourglass fabric in gray for my contrasting background because I love the texture, but I think it would look super cool with the black/white print also.

Click here to get the Gridwork hourglass prints by the yard in black/white or gray.

Continue with the pattern instructions on pages 3-5 to sew as many blocks as you need for your size. The contrast around the center squares really makes them pop!

Block chain blocks

Tip: when sewing all of the complete blocks above, I like to chain piece as much as possible. That means sewing all of the same unit to all of the blocks, one right after the other without clipping threads in between. I prefer to sew with a shorter stitch length (2.5 instead of 3.0) and press my seams open for nice, flat blocks.

Click here to get my Aurifil Neutrals Thread Box for just $99 while supplies last! 

Sewing with a shorter stitch length also hides the piecing thread so it doesn’t poke through in between the seams. I used my neutrals thread collection for piecing this quilt because they blend into all of the different colored fabrics.

LOOKING AHEAD TO NEXT WEEK:

Next week we will start sewing our blocks into the quilt top. Just remember, you can work at your own pace, faster or slower as you wish. I’m here to cheer you on each step of the way!

WHERE CAN I FIND MORE INFO ABOUT THIS QAL?