It’s that time of year again, where you can find an inspiring virtual quilt show on Instagram. Just search the hashtags #quiltconreject and #quiltcon2018 to see many of the quilts that were entered into next year’s show (happening in Pasadena, CA Feb 22-25, 2018).
I’m pleased that HST Remix shown above was accepted into QuiltCon 2018. I’ll be blogging more about this quilt and the other one that made it in, so stay tuned!
QuiltCon has been happening since 2013 and as social media has grown, so has the sharing which is nothing short of inspiring. In the early days of QuiltCon, feelings were a little more raw when many who had entered a show for the very first time ever, felt that their quilts not getting in was somehow a rejection of themselves, rather than a simple fact of math. About 1400 quilts are usually entered each year and there’s room to display only about 350 of them. So that means quilt entrants only have about a 1 in 4 chance of getting in. Or in other words, 75% of the quilts that are submitted won’t make it in.
Detail of HST Remix. For each quilt show entry you usually provide two images – an overall view of the entire quilt plus a closeup so they can see the machine quilting.
What I’ve noticed this year is a much more upbeat attitude: sure quilters are still disappointed when their beautiful work doesn’t make the cut. But when they look at the sheer volume and amazing workmanship of others that also were “rejected”, they seem to take it in stride.
I’ve certainly known my fair of disappointment and rejection. I’ve entered quilts into QuiltCon every year from the beginning and each year my non-acceptences or “rejects” have far outnumbered those that were juried in.
(FYI – a “juried” show means you send in a digital image of your quilt during the application process and a group of people who are completely different from the judges look at all the quilts and decide which will best represent the show. It’s usually based on individual scoring of each quilt, and the jurors don’t know who makes each quilt. Those quilts with the highest jury scores are accepted until all spots have been filled.)
Colorweave is the second quilt that was accepted into QuiltCon. It’s simple yet graphic.
I have managed to have at least one quilt in each QuiltCon (see them here: 2013, 2015, 2015, 2015, 2016, 2017, but some of it was pure luck: for the first QuiltCon back in 2013, no one really knew about it until the entry deadline had passed, so the odds of getting in back then were MUCH higher. Then in two of the previous shows, the only reason I got in was because of “automatic” triggers: I had a quilt in the 2017 issue of QuiltCon magazine which was a guaranteed entry, and in 2016 one of my quilts was in the MQG showcase which was also an automatic entry for that year.
Detail of the quilting on Color Weave – random crosshatch lines quilted with a walking foot
And you know what? I’ve never won a ribbon at QuiltCon before. I certainly don’t enter to win – the joy for me is in the sharing. But it is kind of ironic, that I’ve been able to get a ribbon at many of the national quilts show I’ve entered, but none at QuiltCon. There’s no bitterness at all there, just a simple acknowledgement that QuiltCon is unlike any other show out there, which is one of the things I love about the show. Heck, some of the quilts that have won ribbons at other national shows never even made it into QuiltCon, which just goes to show that just because a quilt didn’t get in, doesn’t make it less amazing or not worthy.
“Rejection #1” – S.W.A.K (Sealed with a Kiss)
If you are one of those feeling a little bruised because your quilt didn’t make it into QuiltCon (or another show for that matter), might I offer this bit of encouragement: you are doing your best work right now and it will only get better!
If you are new to the quilt show circuit then I recommend you start with a local or regional show first. Usually they aren’t “juried” shows which means they’ll accept quilts on a first-come first basis until the slots fill up. This is a great way to see how it all works – filling out an application, getting your quilt to and from the venue, what it feels like to read judges’ comments, etc.
“Rejection #2” – Spools. Both this quilt and SWAK above are from my book Piece and Quilt with Precuts which just goes to show a quilt can still be publication worthy and not get into a show.
Then, once you’ve got your “big-quilter” britches on, go for the national shows. They all have a different aesthetic, different jurors, and different judges. Quilt show entering and judging is EXTREMELY subjective, so as long as you know that going in, you’ll be okay.
The back of Reject #3 which I can’t reveal yet because it’s slated to be published in a magazine next year. Even though it wasn’t juried into QuiltCon, it will be displayed in the publisher’s booth.
Here’s just a small list of shows that I enter regularly with links to their websites. I only enter shows with modern categories, so that limits things a bit, but know that there are a whole slew of shows out there and if you google “quilt show entry” you’ll find a wealth of information. If there’s a show you particularly like that’s not listed below – please leave details in the comments for others to see.
National Quilt Shows I Usually Enter:
- QuiltCon (Annually)
- American Quilters’ Society (several shows a year but only some have modern categories)
- MQX – Machine Quilter’s Exposition (twice a year in Spring and Fall)
- Pacific International Quilt Fest (Run by the Mancuso brothers who put on many other shows)
- UQSM (formerly HMQS) – Utah Quilting and Sewing Marketplace (A non-juried show)
- Vermont Quilt Festival – A non-juried show
- Road to California – (recently got rid of their modern category but I’m hoping they reconsider)
Now, let’s go make some more fabulous quilts, whether they are included in a quilt show or not!!