Things to Make from Fandangle – Heather Black’s Beads and Baubles

Right now I’m currently doing a bunch of “secret sewing” – things I can’t share with you until several months in the future. But instead of going radio silent for awhile, I thought I would fill the time with previous projects that my friends and I have made to keep you inspired.

Beads and Baubles by Heather Black

Get the PDF Pattern for Beads and Baubles by Heather Black

For starters, I’d like to share with you Beads and Baubles – a quilt that my talented friend Heather Black (from Quiltachusetts) made to showcase Fandangle Fat Quarters. I love how she paired the prints with some soft tone on tone Color Weave prints to create a fun stripe in the background.

She named her quilt after the focus print from my collection, called “Baubles and Bits.” (I think these prints together would make a fun, modern Christmas quilt!)

Fandangle Fabric, Baubles and Bits print

Click here to get yardage of Baubles and Bits in Teal or Red

To further tie in the theme, she quilted it with an allover design that’s similar to the “Beaded Curtain” print from the line. I think it’s the perfect motif for this amazing quilt!

Machine Quilting by Heather Black

Click here to grab a fat quarter bundle of Fandangle.

Heather created this design with some simple curved piecing and I love how the oval shapes look like beads. She has released this pattern as a PDF version in her Etsy shop and I’d love to see what it looks like in different fabrics, too!

Beads and Baubles by Heather Black

Click here to get the PDF Pattern for Beads and Baubles by Heather Black

Heather is so talented and I love her modern design sense! She’s made quilts from my fabric before (click here to see her amazing Pearl Pendants quilt) and she’s got several more designs in the works using my current and upcoming lines, too. I can’t wait for you to see them!

And now I have a question for you – have you ever tried curved piecing? If so – how did it go? Leave me a comment as I’d love to know. I’ve only done it sparingly but I love the look!

Sign up for My Next Quilt Along in January: Blooming Wallflowers

Can I say how much I enjoy doing quilt alongs with you all? It keeps me motivated to design and make new things, and nothing thrills me more than seeing all the variety of quilts that are being made, even when we all start with the same basic pattern. So I’m excited to announce the next quilt along which will start January 4th!

Blooming Wallflowers quilt

We will be making my Blooming Wallflowers quilt from start to finish over 12 weeks. Each Friday starting in Janaury, I’ll share a new blog post with inspiration pictures, bonus tips and plenty of cheerleading to keep you motivated. I’ve built in a couple of breaks to the quilt along, so it should be a nice and relaxing pace, and easy to follow along!

Blooming Wallflowers quilt

Get the Pattern

The quilt along itself is free, all you need to purchase is a copy of the pattern:
Click here to purchase the PDF version of Blooming Wallflowers
Click here to purchase the print version of Blooming Wallflowers

Optional Kit

Of course, you can use whichever fabrics you like, but I’ve put together an optional fabric kit which includes all the fabric to make the quilt top and binding as shown above: Fat Eights of 12 different Blooming Roses prints, 1 1/4 yards of light blue Tracks for the accent, and 4 yards of Modern Marks Herringbone Navy for background and binding.

Click here to purchase the Blooming Wallflowers kit – Throw Size

Blooming Wallflowers made with Abstract Garden and Modern Marks

Sign up to Follow Along (Free)

It’s completely free to follow along and you will gain tips and tricks for better quilt making, even if you don’t want to actually make the quilt!

Click here to sign up and be notified each time a new quilt along step has been released.

Blooming Wallflowers Quilt Along

I’ll post the complete supply list and schedule on January 4th and will then give everyone a couple of weeks to gather their materials and supplies before we dive into cutting on January 18th. We will wrap up by the end of March and I’ll encourage everyone to post their progress in my ChristaQuilts Facebook group. After all, doing things with friends is a large part of the fun!

So who wants to join me?? Leave a comment if you plan to follow along, either making the quilt – or virtually in your head!!

New Quilt Pattern – LatticeWork

Happy Turkey Day!! I’m so thankful to you, dear blog reader for your support you’ve given me over the years. I started this blog on Thanksgiving Day back in 2010 and little did I know that it would lead to what I’m doing today – a full time career in the quilting industry.

LatticeWork Quilt Made from Abstract Garden

LatticeWork Quilt – Throw Size

On this day of thanks, I’m so happy to be sharing more fun and inspiring projects with you! Take a look at LatticeWork, the 4th and final quilt pattern I’ve released to go along with my Abstract Garden fabric line (which starts shipping to stores in December).

Abstract Garden Quilt Patterns

If you missed the previous 3 quilts I shared this week, click the links below to check them out:
Click here for Pieced Primrose (Monday blog post)
Click here for Geese in the Garden (Tuesday blog post)
Click here for Blooming Wallflowers (Wednesday blog post)

LatticeWork Pattern Details

LatticeWork comes in 3 sizes and is made from Charm Packs (5″) or 10″ squares. You can also make it from a bundle of fat quarters with coordinating light and dark fabric. For the Throw Size, I’ve used 4 charm packs of Abstract Garden, but it would look fabulous in Modern Marks charms or Fandangle charms, too. Or you could mix and match them for even more variety!

Lattice Work Quilt Pattern
Click image above to enlarge.
Click here to purchase the PDF pattern.
Click here to purchase the print pattern.

As with all of my patterns, I’ve included machine quilting suggestions so you can get ‘er done!! For LatticeWork, I quilted one of my favorite walking-foot designs: an allover wavy grid that requires absolutely NO marking of the quilt!

You basically divide and conquer the quilt into a grid: quilt lines in the center of each lattice strip in both directions. Then fill in with more and more lines until you are happy with the line spacing.

Latticework quilting detail

Wavy Grid quilting detail – it’s so easy to do!

If you look closely at the orange “Trellis” print above (the one near the purple, blue and orange spirals) you will see that it roughly mimics the irregular plaid design of the quilting. I love it when I can incorporate my fave quilting motifs into my fabrics!

I chose a tone-on-tone black for the lattice and paired up the bright colorful prints with the light gray Confetti Crosshatch print from my Fandangle collection. The best news is that I just got in more yardage of both of the Fandangle Grays so click here to grab some before it sells out out again!

LatticeWork Detail

I love bold, bright color – don’t you?

LatticeWork Quilt Stats

  • Size: 74″ x 82″ (Throw)
  • Completed: October, 2018
  • Machine used: BERNINA 770QE
  • Fabric used: Abstract Garden and Fandangle by Christa Watson
    with Colorweave from Benartex Contempo Studio
  • Batting used: Hobbs Tuscany Cotton/Wool
  • Thread used: Aurifil 50 weight cotton Variegated collection by Christa Watson
  • Quilting Motifs: irregular wavy plaid, walking foot (dual feed) quilting

Quick Links

If you missed any of the previous releases

LatticeWork Quilt

Finished Quilt and Pattern – Pieced Primrose Available Now!

This week, I’m excited to release 4 new quilt patterns to go along with my upcoming fabric line Abstract Garden – which starts shipping to quilt shops next month. The PDF versions are all available now for instant download in my Craftsy shop, and print versions will be ready to ship by the end of the month.

Pieced Primrose Warm Colorway

Pieced Primrose in Warm – Wall Size (Actual Quilt)

Today I’d like to introduce you to Pieced Primrose, a paper foundation pieced pattern with tons of movement. I made two versions of the quilt, in both warm and cool colorways, but the possibilities with this pattern are really endless!

Pieced Primrose in the Cool Colorway

Pieced Primrose in Cool – Wall Size (Actual Quilt)

I’ve included instructions for two sizes in the pattern. I made the wall sizes shown above for my booth at quilt market.

Below are digital images of what the quilt would look like in the larger throw size:

Pieced Primrose quilt made from Abstract garden

Pieced Primrose in Warm – Throw Size (Digital Image)

I always think it’s amazing how much the digital versions of my designs look like the actual finished quilts. It’s because I design them in EQ8 using the exact fabrics I plan to use.

Pieced Primrose EQ design in cool

Pieced Primrose in Cool – Throw Size (Digital Image)

In the pattern, I’ve included full sized paper foundation templates which are super easy to print as many copies as you need for any size you wish. I’ll be sharing a tutorial later in the week for my favorite paper foundation method, so be on the lookout for that.

I’ve also included machine quilting suggestions for both quilts. Because I’ve used busy prints for both of the quilts, I recommend a simple all over free motion design. It’s a fun way to practice a motif that you’ve been wanting to try, and by the time you are finished quilting, you’ll be an expert at that design!

quilting detailsClick image above to enlarge for detail.

I love to include designs in my fabrics that are based on some of my favorite quilting motifs so it was fun to quilt round spirals on the warm colorway, to go along with the “blooming roses” spiral print. It’s hard to see the quilting detail, but you can click the images above and below to get a better look.

Quilting detail on PIeced Primrose coolClick image above to enlarge for detail.

I quilted allover square spirals on the cool colorway. For both versions, I used variegated Aurifil 50 weight threads to match, from my new thread collection releasing soon (more about that later when it gets here).

Pieced Primrose Quilt Stats

  • Size: 35″ x 35″ (Wall), 68″ x 84″ (Throw)
  • Completed: October, 2018
  • Machine used: BERNINA 770QE
  • Fabric used: Abstract Garden by Christa Watson for Benartex Contempo Studio
  • Batting used: Hobbs Tuscany Cotton/Wool
  • Thread used: Aurifil 50 weight cotton from The Variegated Collection by Christa Watson
  • Quilting Motifs: free motion designs – square and round spirals

Pieced Primrose Pattern Cover

Click the image above to enlarge.

Quick Links

Pieced Primrose Quilts Made from Abstract Garden

Dot ‘n Dash Quilt Along Wrap Up and Inspiration Photos

Although my Dot ‘n Dash quilt along wrapped up about a month ago, I wanted to revisit it one final time to share all the links to all the posts for anyone just wanting to get started. I also want to share some gorgeous photos from several in my Facebook Group that made their versions.

Dot n Dash quilt by Christa Watson

Click here to purchase the Dot ‘n Dash quilt kit, while supplies last.

As a reminder, the pattern for Dot’n’Dash can be found in my book, Piece and Quilt with Precuts and it’s easy enough to gather your supplies: just one Jelly Roll of prints and 3 yards of background fabric are all you need to make this fun quilt.

Dot ‘n’ Dash Inspiration

Here are some beautiful finishes and works in progress from others who are making their own versions. Some of them have finished while others are still working at their own pace, so it’s never too late to jump in and start!

Dot n Dash by Lucy Given

Don’t you love this one above in teal by Lucy Given? She did a fabulous job making it super scrappy by mixing up beautiful blue hues for both the blocks and the background. She’s finished the quilt top so far and I can’t wait to see how she quilts it!

Patti Baymiller's Dot n Dash

Here’s another beauty above, pieced and quilted by Patti Baymiller. Didn’t she do a fantastic job on the quilting? The texture is so fantastic! I love it when others show how easy and fun domestic machine quilting can be.

Heather Lofstrom Halloween Dot n Dash

How about this one done in Halloween novelty prints by Heather Lofstrom? She quilted it with a diagonal grid and she shares more of her inspiring quilty life over on her instagram account @aquiltingcowgirl so be sure to check out her feed for more fun!

Lucy's Dot n Dash quilt top in Modern Marks

Of course I might be biased, but I really think Lucy Blum’s quilt top done in Modern Marks looks just as fabulous!! She used up leftovers from other projects, and although the Modern Marks precut strips are sold out, you can still grab a fat quarter bundle and cut your own strips if you are so inclined.

Lisa's Dot n Dash in Yellow

Lisa Tucker created her stunning quilt with a yellow background which really pops! Who says you have to use a neutral background, right??

Abbie Bill Machine Quilting

Here’s another quilt in process, being quilted by Abbie Bill. She’s opting for the original quilting plan as given in the book and she’s making fabulous progress!!

And these are just the tip of the iceberg of the fabulous work being created and shared over in my Christa Quilts Facebook group. Be sure to add pics of your progress there and you can do a quick search of “Dot ‘n Dash” in the group for even more amazing inspiration. 🙂

Quilt Along Posts

Here’s a roundup of links to all of the Dot ‘n’ Dash Quilt Along Posts that were shared. Keep in touch and let me know if you have any questions as you make YOUR version – I’d love to cheer you on!

Week 1 – Quilt Along Complete Supply List
Week 2 – Cutting the Fabric
Week 3 – Sewing the Blocks
Week 4 – Completing the Quilt Top
Week 5 – Backing and Basting
Week 6 – Quilting Part 1 – Stitching in the Ditch
Week 7 – Quilting Part 2 – Quilting Double Zig-Zags
Week 8 – Quilting Part 3 – Free Motion Quilting Double L’s
Week 9 – Binding to finish

Free Motion quilting on Dot n Dash by Christa WatsonQuilting Detail from Dot’n’Dash made from my Fandangle Strip-pie.

Pre-order My New Fall Patterns

I release quilt patters twice a year now, in conjunction with my new fabric lines. (More about the fabric later…) So today I’m happy to introduce 4 new patterns which will be released on November 16, but you can get them at a discount when you preorder now!

Christa Quilts Patterns

All four of my new patterns are available as print or PDF. Print versions will be shipped to you approximately November 16th. When you order the PDF version through my Craftsy shop, you’ll be able to download the cover now, and then the pattern itself will be emailed as an update on November 16th.

Use coupon code SAVE10 to get 10% off the price of the print version. The PDF version is automatically on sale through November 16th. (The code and sale applies to all current patterns in stock, too!) Here’s what’s new:

Pieced Primrose

Click here to purchase the PDF version instant download.
Click here to order the print version which will be shipped.

Pieced Primrose Quilt Pattern

Click the image above to enlarge the detailed materials list.

Geese in the Garden

Click here to purchase the PDF version instant download.
Click here to order the print version which will be shipped.

Geese in the Garden Quilt Pattern

Click the image above to enlarge the detailed materials list.

Blooming Wallflowers

Click here to purchase the PDF version instant download.
Click here to order the print version which will be shipped.

Blooming Wallflowers Quilt Pattern

Click the image above to enlarge the detailed materials list.

LatticeWork

Click here to purchase the PDF version instant download.
Click here to order the print version which will be shipped.

LatticeWork Quilt Pattern

Click the image above to enlarge the detailed materials list.

Wholesale Inquiries

These patterns will be available from most major distributors. Or email me christa@christaquilts.com for order info.

I hope you’ll enjoy making these quilts as much as I did!

Dot ‘n’ Dash Quilt Along Week 8 – Machine Quilting Part 3: Double L’s

Good news! I’ve restocked the Dot ‘n Dash Kit in the light gray colorway.
Click here to order or visit shop.christaquilts.com.

I’m so glad we spent a little extra time machine quilting this quilt. Making a quilt from start to finish isn’t hard – it just takes a little time to break down the steps into doable chunks of time. This week we are going to finish up the quilting with a fun free-motion variation inspired by one of the quilting designs from my third book, Piece and Quilt with Precuts.

Free Motion quilting on Dot n Dash by Christa Watson

I’m all about perfectly imperfect texture in my quilts!

I like to quilt my quilts densely to add amazing texture and the more they are loved, used and washed, the softer they’ll get!

After quilting the double zig-zags last week, it’s time to tackle the “Double L’s” motif this week. These are based based on the “Cursive L’s” motif as shown in the Arrows quilt on pages 78-85 of the book, and also on the cover.

Free Motion quilting

Arrows is the cover quilt from Piece and Quilt with Precuts.

Sketch it. Then quilt it.

I’ve also used this design in a slightly different way on Twinkling Diamonds found on pages 56-63. So take a look at the quilting plans for those quilts to give you a better understanding of how to form the design.

The first thing I do when figuring out any design is sketch it first on paper. You can see in my rough drawing below, I tried a couple of different versions of the cursive L’s.

Sketch it. Then Quilt it.

Sketch it – then quilt it!

 At first I thought I would quilt the L’s and then echo them, but when I tried that on a practice sample, it didn’t look so good. I also thought of doing a more linear geometric version (in the upper left of my sketch) but that wasn’t right either. So I opted for two rows of cursive L’s, overlapping each other just like I overlapped the modern zig-zags in the gray areas of the quilt.

I tried quilting the L’s both horizontally and vertically and found it much easier to rotate the quilt so that I was quilting them vertically, from top to bottom in each row across the quilt.

Free Motion Quilting on Dot n Dash Quilt

I’ve rotated the quilt so I can quilt each row from top to bottom.

First Pass Across the Quilt

First, I did one pass of Cursive L’s across the quilt, starting on the upper right of the quilt, quilting one row at a time from top to bottom, and working my way toward the center. Once the quilt got too bulky in the middle, I rotated it and started from where I left off (center, top) to the other side of the quilt.

I’m using the same Aurifil gray thread (top and bobbin) that I’ve used for the whole quilt, and it blended in nicely on all the different Fandangle fabrics.

Cursive L's Free-motion quilting

Cursive L’s quilting – 1st pass across the quilt. Notice the gaps between the loops.

I recommend practicing a couple of times on scrap fabric and batting to get the hang of how you’ll form the design.

I’m not at all worried about the spacing of each motif or whether or not all of the loops are perfectly smooth. I’m aiming for texture over perfection. To get from one strip unit to the next, I’ll aim for the corner, or I’ll backtrack in the seam as needed to get to the next section to quilt. Notice that I’m treating the pieced units and the small gray background square as one area to quilt.

Cursive L's Free-Motion quilting

Head for the corners, or backtrack in the seams to get to each new section to quilt.

After the first row of Cursive L’s, I repeated the process, adding another row of L’s on top of the first row, intersecting the lines and quilting the design in opposite directions.

I squeezed in the second set of loops in the gaps between the previous loops. This added more texture and also made the imperfections less noticeable.

Second Pass Across the Quilt

Cursive L's detail quilting

Squeeze the second round of quilting in between the gaps of the first.

The more quilting you add to the quilt, the more thread you’ll use of course. So I would check your bobbin level at the end of a row of quilting and change it out as soon as it looks low (or pay attention to your bobbin indicator light if you have one on your machine).

Don’t play bobbin chicken!! I’d rather have a little leftover bobbin than run out in the middle of the quilt. If you are using cotton thread in your bobbin, you can always use the leftovers when piecing your next quilt.

Cursive L's Dense Quilting

I love using soft 100% cotton thread and natural fiber batting for my quilts.
This allows me to quilt densely while still ensuring a cuddly quilt!

Quilting Homework

Finish quilting the quilt! Feel free to mix and match quilting motifs from my books, or use some of your favorite designs. However you decided to quilt it, please share your quilt in progress in my Facebook group and on instragram #dotndashqal. I love seeing everyone’s work!

Next week, we’ll trim up the quilt and bind it to finish. I can’t wait!

Quilting at the Beach

I love how these surfboards at the beach match the coloring of my quilt!

Click here for the quilt along schedule, supply list, and links to all the tutorials.
Click here to purchase Fandangle precuts and coordinating yardage.

Behind the Scenes: My Design Process for Fandangle

Today I thought it would be fun to share a little bit of my fabric design process for Fandangle. The line includes 6 designs in multiple colorways so I’ll take you through the design process of 3 of them. (When my first line, Modern Marks came out, I shared a bit of my process along with some some of the rejects, and that got a lot of interest. Read about  that here.)

Fandangle Fabric

Click here to get yardage and bundles of Fandangle, while supplies last.

For Fandangle, I knew that I wanted it to coordinate with Modern Marks, but still stand on its own as a separate collection. In fact, as I was working on the line, I scattered some of the in-process paper swatches onto my Modern Marks Rainbow Taffy quilt, just to make sure they’d look good together:

Fandangle and Modern Marks

If you look closely, you’ll notice that the orange, yellow and green tone on tones are not the final versions I ended up with. Read more about those “rejects” below!

Whenever I design a line, I start with a concept and a rough color palette. When inspiration strikes, I can see what I want in my head, but the hard part is technically getting that into the computer to form a proper repeat. Fortunately, I work with a fabulous stylist and graphic designer at Benartex who can help translate my ideas into reality. I thought it would be fun to walk you through the design process of three of the prints so you can see how they evolved.

Evolution of Baubles and Bits

This print was the hardest to finalize and the one that took the most work. I knew I wanted to create a fun, funky medallion that would almost read as a floral. So we started with the basic medallion shape. You’ll notice that colors and designs change quite a bit during the process. First I finalize the shapes, and then the colors. So any in-process and designs and hues are always just placeholders.

First Try:

Second Try:

Baubles and Bits in Process

Third Try:

Final Design:

Baubles and Bits final design

Isn’t it fun to see how it evolves? Of course there were a lot of intermediate steps in between each image involving more sketches, lots of cutting and pasting, and the painstaking decisions to add or remove colors that didn’t work. Did you notice that I cut the purple? It just didn’t work this time around (although we were able to work in some nice pink and lilac). But don’t worry, purple will work its way into my fabrics in the future – I promise!!

Multiply these design and color changes by each print and color in the line and you can see what an involved process fabric design can be!

Triangle Trinkets Design Process

This print was a lot quicker to finalize. It began with a simple line-drawing sketch of my arrowheads quilting design in several different arrangements.

Original Concept:

Triangles sketches

Then we put the designs into the computer and tried different color groupings and design layouts to see what worked. The teal colorway was one of my favorites, but I thought the stripe arrangement below was too directional.

Good Color, Bad Layout:

Final Design:

Once the design was finalized, we recolored them in a dozen different colors that coordinated with the rest of the prints. It was hard to narrow it down to the final three colors I included in the line, but sadly, I knew I couldn’t include them all!

Fandangle fabric -Triangle Trinkets

Paper Cuts – the Tone on Tone Blender

This print was one I felt strongly about from the beginning. I knew exactly what I wanted but it took awhile to get there. Again, I started with a simple pen and ink sketch on paper, inspired by another one of my favorite free motion designs – jagged stipple.

Design Sketch:

The design team at Benartex wasn’t so sure it would translate well as a design, so we tried a couple other things first that I ultimately rejected. First of all, we revisited the boxes print from Modern Marks with a different take on the design.

Boxes Blender:

Boxes blender

Nice, but nope, that wasn’t it. It turned out very nice but was too close in concept to the boxes design from Modern Marks.

Loops and Strings:

blender loops

We tried something that looked like loops and strings, again based on one of my free-motion quilting designs. This print would have worked well, but it wasn’t what I wanted.

Jagged Design – First Try:

Blender print

Finally, they were willing to let me try the jagged, edgy design that I really wanted with this line. The first iteration was a little too dense for my taste, so we spaced it out to give the design a little more breathing room.

Final Tone on Tone Design:

Paper Cuts design from Fandangle

It was worth all of the time and effort we put into this print! After the design and scale were finalized, the hardest part was naming it. “Jagged Stipple” didn’t really go with the other design names inspired by the idea of ornamentation and embellishment.

So I finally renamed it “Paper Cuts” because that sounded cutesy and crafty. The irregular jagged lines reminded me of small cuttings of paper. I almost named the print “scherenschnitte” which literally means “scissor cuts” but I knew people would have a hard time trying to pronounce that word it, let alone spell it, LOL!!

Fandangle Quilt Patterns

Fandangle Quilt PatternsClick here to get PDF versions of the Fandangle Quilt Patterns
Click here to get print versions of the Fandangle Quilt Patterns

Of course, once the prints were finalized as digital images, it took me nearly as long to come up with quilt patterns to showcase the fabrics effectively. Designing quilt patterns is a very similar process for me as fabric design: I start with an initial sketch, and tweak it until it feels right. All of this work was finalized before I even received fabrics to work with. It’s a long process for sure, but I enjoy every minute of it!

Fandangle Finalized

Fandangle fabric by Christa Watson for Benartex Contempo

I hope you enjoyed seeing this peek behind the curtain of how one designer’s process evolves. I know it’s different for each and every fabric designer, but so far this process has worked very well for me. I went through a similar process described above for all six prints in the line, but it was worth it to create a collection I love!

In fact, as I write this, I’m developing additional concepts, sketches, colorways, and ideas for future fabric lines. I’m starting to get the hang of how things works which each new collection I create, and it’s been such an incredible journey. As long as you all continue to love them as much as I do, I’ll have more to share in the coming months – so stay tuned!

Virtual Trunk Show of 63 Quilts from My Books

While I’m away teaching in Australia this week, I thought I’d share a virtual trunk show with you, so you can pretend that you are right here with me! I’m including all the quilts from all three of my books along with the book covers from each, so you can easily reference where to find them. Be sure to click the bonus links for more details about each quilt. So grab a treat and enjoy the show…

Quilts from Piece and Quilt with Precuts (2017)

Piece and Quilt with Precuts by Christa Watson

All of the quilts in this book are precut friendly and each pattern includes piecing instructions and a quilting plan with diagrams and quilting suggestions. You can mix and match pieced patterns and quilting motifs to your heart’s content!

Squiggles – Original Version from the Book

Click here for the blog post about this quilt.

Squiggles by Christa Watson from Piece and Quilt with Precuts

Squiggles Remake using Modern Marks Fabric

Click here for the Quilt Along for this quilt.

Squiggles by Christa Watson

Gridwork – Original Version from the Book

Click here for the blog post about this quilt.

Gridwork by Christa Watson from Piece and Quilt with Precuts

Gridwork Remake by Vicky Holloway Using Modern Marks

Click here for Vicky’s blog post about this quilt.

Gridwork by Vicki Holloway

Frequency – Original Version from the Book

Click here for the blog post about this quilt.

Frequency by Christa Watson for Piece and Quilt with Precuts

Frequency – Mini remake using Modern Marks

Click here to read more about this collaboration between me and Leah Day.

Mini Frequency wiht Modern Marks

S.W.A.K

Click here for the blog post about this quilt.

SWAK from Piece and Quilt with Precuts

Starstruck – Original Version from the Book

Click here for the blog post about this quilt.

Starstruck by Christa Watson from Piece and Quilt with Precuts

Starstruck remake using Modern Marks

Click here for the blog post about this quilt.

Modern Starstuck by Christa Watson

Dot ‘n’ Dash – Original Version from the Book

Click here for the blog post about this quilt.

Dot 'n' Dash by Christa Watson from Piece and Quilt with Precuts

Dot ‘n’ Dash remake using Fandangle

Click here for the Quilt Along for this quilt.

Dot 'n Dash quilt by Christa Watson

Twinkling Diamonds

Click here for the blog post about this quilt.

Twinkling Diamonds by Christa Watson from Piece and Quilt with Precuts

Windows

Click here for the blog post about this quilt.

Windows from Piece and Quilt with Precuts by Christa Watson

Kites

Click here for the blog post about this quilt.

Kites Quilt from Piece and Quilt with Precuts by Christa Watson

Arrows

Click here for the blog post about this quilt.

Arrows from Piece and Quilt with Precuts by Christa Watson

Spools – Original Version from the Book

Click here for the blog post about this quilt.

QuiltCon reject 2
Spools Remake by Hollyanne Knight Using Modern Marks

Click here for Hollyanne’s blog post about this quilt.

Spools from Piece and Quilt with Precuts

Quilts from The Ultimate Guide to Machine Quilting (2016)

Ultimate Guide to Machine Quilting

Angela Walters and I each made the same ten quilts in our own choice of fabrics and quilting motifs. There are 10 different patterns presented along with over 50 different machine quilting designs. Below are each of the 20 quilts we made showcasing different color combos and machine quilting suggestions.

Choosing Colors

Click here to read more about this quilt.

Choosing Colors by Christa Watson

Christa’s version – in rainbow order.

Choosing Colors made by Angela Walters

Angela’s version – mix it up and throw in a scrappy binding!

Swirling Butterflies

Click here to read more about this quilt.

Swirling Butterflies Wholecloth Quilt

Christa’s version – bold and contemporary.

Swirling Butterflies Angela Walters

Angela’s version – white and traditional.

Plumb Lines

Click here to read more about this quilt.

My version of Plumb Lines won 2nd Place, Modern at HMQS in 2016.

Plumb Lines Quilt

Christa’s version – free-motion alternatives to straight line quilting.

Plumb Lines Quilt

Angela’s version – peachy keen!!

Cornered

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Corned quilt by Christa Watson

Christa’s version – pretty in pink!

Cornered by Angela Walters

Angela’s version – make your friends green with envy when you learn how to quilt these motifs!

Directionally Challenged

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Directionally Challenged by Christa Watson

Christa’s Version in shades of blue with walking foot quilting and FMQ.

Directionally Challenged by Angela Walters

Angela’s version in red showing how to break down large blocks for quilting success.

Migration

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Migration Quilt

Christa’s version – grid quilting in warm earthy tones.

Migration by Angela Walters

Angela’s version – jewel box quilting with lots of negative space fillers.

Exploding Star

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Exploding Star by Christa Watson

Christa’s version using Angela’s fabrics with walking foot continuous spiral quilting.

Exploding Star by Angela Walters

Angela’s version quilted with multi-sized spirals.

fractured squares

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Fractured_Squares_Christa

Christa’s version – completely quilted with a walking foot.

Fractured_Squares_Angela

Angela’s version – having fun with improv borders!

Quatrefoil Applique

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Quatrefoil-Applique_Christa

Christa’s version – it’s a machine quilting sampler!

Quatrefoil-Applique_Angela

Angela’s version – bold and dramatic.

U-Turns

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U-Turns_Christa

Christa’s version – cool teal solids with a touch of print.

U-Turns_Angela

Angela’s version – perfect for practicing turning a corner!

Quilts from Machine Quilting with Style (2015)

Click each highlighted link below each image for more about that quilt.

Machine Quilting With Style

13 friends each remade the 12 quilts + 1 of the backings. I have included their versions, too. Photography of my quilts courtesy of Martingale and Brent Kane. Here’s the order in which they are presented in the book:

ripplesRipples, made by me

ripples_melissa

Ripples, made by Melissa Corry and her MIL Barbara

mqws_rainRain, made by me
Juried into QuiltCon 2016
Shown at MQG Exhibit at Int’l Quilt Festival

rain_drizzle_cheryl

Drizzle, made by Cheryl Brickey

color crystals.Color Crystals, made by me

colorcrystals_vicki

Color Crystals, made by Vicki Ruebel
Honorable Mention, PIQF 2015
Faculty Award, MQX New England 2016

technicolor_backing

Technicolor backing made by me

technicolorbacking_ida

Urban sunrise, made by Ida Ewing
Best Machine Quilting, Pahrump Quilt Show 2016

Little Man's FancyLittle Man’s Fancy, made by me

littlemansfancy_tina

Little Man’s Fancy, made by Tina Guthmann

staticStatic, made by me

static_quilt_lee

Static, made by Lee Heinrich

square in a squareSquare in a Square, made by me
Juried into Road to California, 2016

squareinasquare_stacy

Square in a Square, made by Stacy Cooper

focal_point

Focal Point, made by me
Juried into QuiltCon 2016

Focal Point - Chic Neutrals no lines

Focal Point, recolored in EQ7 using Chic Neutrals fabric from Amy Ellis

focalpoint_amy

Focal Point, made by Amy Garro

Lightning and backing

Lightning, made by me
Bonus backing tutorial from Martingale
Juried into Road to California 2016

lightning_leannePink, made by Leanne Chahley

Candy_PopCandy Pop, made by me
Awarded 3rd Place, Applique at DQN 2016 Quilt Show

candypop_linda

Candy Pop, made by Linda Hungerford

BrokenVBroken V, made by me

brokenv_sharon

Broken V, made by Sharon McConnell

Facets_Kona

Facets, made by me
2nd Place Modern, AQS Paducah 2016
Juried into AQS Phoenix 2016
Quilt Along Blog Series 2016

facets_kristy

Facets, made by Kristy Daum

Finals B1324.inddPearl Gray, made by me
1st Place Large, Single Maker, DQN 2016 Quilt Show

pearl_gray_alyce

Pearl Gray, made by Alyce Blyth

Click Here for Signed Copies of All 3 Books

Books by Christa Watson

 

Dot ‘n Dash Quilt Along Week 5 – Backing and Basting

I love quilt alongs and the best part is seeing the variety you all are making! It makes my day. 🙂
This week we are getting down to the nitty gritty and getting the quilt ready for machine quilting next week. But don’t worry, if you aren’t to that point yet, that’s perfectly fine. These quilt along posts will stay up indefinitely and you can always refer back to the intro post for links to each specific QAL step.

Dot n Dash Quilt Along

Click here for the quilt along schedule and supply list.

Preparation is Key

Getting ready to machine quilt is a little like getting ready to paint a house. The actual painting isn’t hard – it’s all the prep work (ike moving furniture and taping down the windows) that takes time and gets in the way of the fun part. So take your time to prepare the quilt and baste it and don’t feel like you have to rush this part. In fact, I always set aside a separate day for backing and basting and then give myself a little reward when my least favorite part of the process is finished!

A tip on choosing batting: if you want to hide machine quilting “irregularities” and give your quilt that antique puckered look, choose a cotton batting like Hobbs or Quilter’s Dream. If you want to give your stitches more definition and a loftier look, choose wool. I usually stay away from polyester batting because it’s very slippery and usually causes me to get puckers on the back of my quilt. Cotton and wool cling to the quilt which gives you better control while quilting.

Quilt Batting Used in Dot n Dash Quilt

Take a picture of your batting with your quilt top so you can remember what you used.

Sewing the Backing Fabric

You want to ensure that the backing fabric is at least 3-4″ bigger on all sides of the quilt top, more if you plan to long arm quilt. The easiest way to do this is to cut two large pieces of fabric and sew them together. For example, my quilt measures 60 x 72. So If I cut 4 yards into 2 two -yard pieces that will give me one big rectangle approximately 72″ x 80″ to work with once the chunks are sewn together parallel to the selvage.

Sewn Quilt Backing

I basted this quilt at a recent teaching retreat I participated in. All you need is one table for basting – work on the middle and then the sides as needed.

Spray Basting the Quilt

If you prefer to pin baste, click here for an alternate tutorial.

My basic method for spray basting is to spray the wrong side of the top and bottom layers of the quilt outside, then bring them inside for assembly. For a slight variation of this technique, click here for my wall basting tutorial.

My favorite basting spray is 505. Be sure to shake the can before you use it and spray a little on a scrap to make sure the nozzle isn’t clogged. If the spray doesn’t flow out evenly, some of the chemical can accumulate and leave a stain on your quilt, so always test it first.

Spray Basting the Quilt

At first I tried an off brand that a friend had but I didn’t like it because it wasn’t sticky enough. Fortunately one of the other retreaters had some 505 which they let me use for my quilt!

The basting spray does not cause any problems with machine quilting, and if you notice it starting to gum up the needle at all, just wipe it away and you’ll be all set!

Lay out all 3 layers of the quilt – backing, batting, and quilt top on a large table (or design wall). Spend time smoothing out each layer with a long acrylic ruler before adding the next layer. This can take awhile but is worth it so that the quilt is nice, flat and smooth.

Quilt Basting

Notice the leftover batting – most of it will get trimmed away after basting. I like enough extra batting and backing so that I don’t have to worry about getting my quilt top perfectly centered.

You can also use the acrylic ruler to scooch any quilt blocks back into place and straighten out any wonky seams as needed. Smooth out any bubbles as needed so that the quilt is nice and flat.

The last step is to iron the quilts on both sides – front and back. This helps set the glue and allows you to work out any wrinkles one last time before you quilt. I use a hot dry iron ,with no steam. You can iron the quilt on an ironing board, or on a table to give you more room. Because there’s batting inside, the quilt acts as it’s own pressing surface.

Iron the basted quilt to set the glue

My quilt is basted and ready to quilt!

Now it’s your turn! Get your quilt basted and we’ll start machine quilting next week. We’ll have extra time for quilting since it’s my favorite part!

Show Your Work

Don’t forget to share your progress in one of 3 ways (or all of them if you like):
(1) In my Christa Quilts Facebook group
(2) On Instagram, #dotndashqal
(3) Share a link to your blog, or leave a comment about your process on this post.

Dot n Dash Ready to quilt

Trim the batting so that there’s only 1-2 inches sticking out on all sides of the quilt. This will prevent the excess from flipping under the quilt and getting caught in the machine.