I finished sewing my Herringbone quilt top this week and I wanted to share with you a few new things that I tried while making it.
Herringbone quilt top, using the free pattern I designed for Camelot Fabrics.
Herringbone is made from a plethora of HST’s (half-square triangles). Usually, the fabric direction doesn’t matter, but in this case, I wanted to figure out how to line up the directional fabrics I was using so that they all went the same way.
I used Gray Matters More fabrics in yellow and gray – so yummy!
I started out by cutting all of the squares like I normally do. My favorite method of making HST’s is to draw a line down the middle on the wrong side of my background fabric, match it up right sides together with the main print, and sew on either side of the line. Cutting the squares apart on the lines will then yield 2 half-square triangles each.
For my “experiment,” I flipped the background squares so that half of the lines were left-diagonals, and half were right-diagonals. I then matched up each background square with a print square, keeping the print squares oriented in the same direction.
After sewing and cutting apart, I ended up with 4 stacks of HST’s with the prints running in 4 different directions, exactly what I wanted for this pattern. Each half of the squares shown above produced two different orientations below.
I’m very visual, so I had to constantly refer back to my pattern to line up all the pieces in the correct block position. (I’m not sure how the directional shift will look with other HST configurations, but you can test it out and see.)
The fabric shown below is one-way directional rather than two, so I just needed to separate them into 2 different directional stacks, rather than 4. Do any of you math geniuses out there remember what type of asymmetry that’s called? I forget!
Since I decided to get carried away with lining up the prints in my blocks, I decided to match up my border seams as well. To do this, I cut out strips that were the exact same width, following the same design repeat. I then sewed a seam between the motifs, trying to match up the design as best I could. I trimmed the seam allowance down later.
My final top tip is for joining seams that cross over your triangle points. Sew on the side where you can see the tiny triangle in the seam below. This will help you achieve nice, crisp triangle points.
It feels great to have a finished top – or as some would call it, a “flimsy.” I love how it looks exactly like my original EQ7 design (minus the design wall wrinkles and bad lighting). Next time I will share with you how I quilted it.
On the left is my finished top. On the right is my EQ7 sketch. I love it when they match!