My Finished Terrace Dresses (and Matching Shoes)

I’m finally recovered from Quilt Market last week, so I can share with you how my dresses turned out using my new Geo Pop fabric line. “3-D” sewing is new to me, so this was a fun adventure! I began by pairing up my new fabric samples with some of my favorite Fluevogs

Geo Pop Fabric Fluevog Shoes

Which do you think came first – the fabric or the shoes??

Then I made a “muslin” – a practice version (using my Modern Marks fabric) without all the finishing touches so I could test for fit. I used Liesl & Co’s Terrace Dress pattern because it looked easy enough for beginners, and it really was!!

Making a dress from Modern Marks

I used Crossmarks in pink for my “practice” dress before making the real thing.

I don’t have many in-progress pics because I was a hot mess while sewing on a deadline. But I tried tissue fitting and making an FBA (full-bust adjustment) before I finally settled on making a version of the dress according to the size I thought I was on the pattern, without any adjustments. This actually seemed to give me the best result.

Black Yellow Terrace DresssCut pattern pieces all laid out on my design wall – it’s not just for quilts!!

I made a total of 4 of this dress using each color of the “Mosaic Dots” print from my new Geo Pop fabric line from Benartex (shipping in August). I put pockets in the first version which was awesome! But they took a lot of extra time, so I skipped that step in the other 3 versions since I was in a hurry. I also changed up the hem length a couple of times, just to see which I liked better (slightly longer for sure!) I missed getting a good pic of me in the yellow version, but here are the other 3 versions below.

A purple dress with matching purple shoes!!

Terrace Dress in Geo Pop Fabric

I admit it – sometimes my fabric color palette is influenced by my shoe collection!!

Geo Pop Terrace Dress

You can’t go wrong with classic black and white!!
It was fun to try out different sash/belt configurations.

I really enjoyed making these dresses, and am excited to make more clothing. I got a great tip from a seamstress I met when I wondered why the top had a few small wrinkles between the bust dart and shoulder area. She said  I should look for patterns with set in sleeves rather than a cap sleeve – that it would fit my shape better. I’ll be sure to look for that next time!!

If I’ve piqued your curiosity about my new booth and fabrics, don’t worry. I’ll share more about the items in my booth at the of the week, so stay tuned!!

New Color Weave Quilt Pattern Now Available in My Etsy Shop!

I’ve had something under wraps that I’m finally excited to share! My latest quit pattern – Color Weave is now available as a PDF download from my Etsy shop.

Rainbow Weave Quilt

Click here to get the Color Weave quilt pattern PDF from my Etsy shop.

Color Weave is made from one Strip-pie of Abstract Garden plus about 3 yards each of my light and dark grays from Fandangle.  For a limited time, you can also grab a quilt kit to make one exactly as shown here.

Abstract Garden Strip-pie

Click here to get the Abstract Garden Strip-pie or Color Weave quilt kit.

I enhanced the original pattern and also included an option to make it from a single color instead. But of course it would look fabulous in any fabric combo! You just need two strips of the same fabric when working with precuts. That’s why I designed my Abstract Garden precuts with 2 of each!

Click the image below to enlarge so you can see the materials requirements.

Color Weave Quilt Pattern

I had an amazing time making this quilt! The instructions are easy to follow and I’ve included step-by-step full color diagrams for both versions shown above. I’ve also included a quilting plan to quilt one of my favorite walking foot designs – random crosshatch.

Machine Quilting Random Crosshatch

I’m here to cheer you on every step of the way when you purchase any of my patterns. I want you to have just as much fun making this quilt as I did!

Color Weave Quilt Pattern by Christa Quilts

Sharing is caring! While you are making your version, be sure to share your progress in my ChristaQuilts Facebook group or use the hashtag #colorweavequilt on instagram. I’m happy to guide you every step of the way!

Tips for Making Geese in the Garden – Part 2 of 2

I’m excited to share with you how I quilted my Geese in the Garden quilts – using two different but super simple and fun walking foot quilting designs. These are designs that I teach in my quilting classes and they can also be found in my books Piece and Quilt with Precuts and Machine Quilting with Style.

Wavy Line Quilting on Geese in the Garden

Wavy Line Quilting on Geese in the Garden – Warm

Most people think that stitch in the ditch is the easiest thing you can do with your walking foot, but wavy lines “near” the ditch are much easier to accomplish. Then, when you are ready to tackle straight line quilting, embrace unmarked, uneven line spacing for a quicker finish!

Straight Line quilting on geese in the garden by Christa Watson

Irregular Parallel Lines on Geese in the Garden – Cool

Make a Quilting Plan

I originally developed the idea to make a quilting plan in my books, then refined my technique so that I could clearly teach it to others in my online video class – The Quilter’s Path. In a nutshell, I like to draw my designs out on an image of the finished quilt top to see how it will look before I quilt the quilt. Below is the quilting plan for both quilts, which is included in my Geese in the Garden quilt pattern.

Make a quilting plan

The reason I like to quilt irregularly spaced, imperfect lines is because I know I’m going to “mess up” anyway, so why not build it into the design? After all – you know what they say: do something once and it could be a “mistake.” But do it two or more times and it’s a design element! Plus, it’s a lot faster to quilt imperfect lines than perfect ones!

Thread Choice

I recently released my new thread kit with Aurifil – The Varigated collection and was super excited to try some of my new colors out on these quilts.

Variegated collection by Christa Watson

Click here to get my Aurifil thread collection.

Because the prints are so colorful and busy, a variegated thread looks great and helps blend everything together. I chose Stone Washed Denim #3770 for the cool version. Even though it looks like a solid colored thread, it has subtle color changes that will look great on this quilt. Because it’s more on the pastel side, it also blends in with the rest of the prints.

Aurifil thread

For the warm version, I selected #3840 French Lilac. The purply-pinks blend beautifully and add wonderful texture. When choosing colors, I lay the spool across the quilt and see which color disappears into the quilt the most. If I’m not using and exact matching thread, I’ll usually go a shade lighter rather than darker, as that seems to blend in the best.

Pink Variegated Thread from Aurifil

To do the actual quilting, first I quilt a series of “anchor” lines to secure the quilt. These can be lines in, or near, the ditch, randomly spaced across the quilt to prevent it from shifting. Then I fill in with additional lines as desired.

Check out this video of me quilting the warm version with a simple wavy line design, following the pieced design of the quilt. I’m using my BERNINA dual feed, which acts just like a walking foot, but allows me to use different feet on my machine.

For the cool version, I used painter’s tape in some of the areas to divid up the space and give me nice, crips lines. When stitching right next to the tape, I have to be careful not to stitch it to the quilt!

Geese in the GArden quilting

Once I’ve established a few anchor lines, I’ll fill in between the lines at random intervals, using the edge of my foot as a guideline for spacing. Here’s another short video of my quilting the cool version, adding more lines in between previously spaced lines:

Finally, I prefer to bind my quilts by hand because I love the clean look it gives to them. Here’s a final video showing how I make each stitch by hand, once it’s been sewn onto the quilt by machine. (See links at the end for my full binding tutorial.)

Binding a quilt

Here’s a short video showing how I stitch the binding by hand to finish:

I really enjoyed sharing more behind the scenes of making this quilt. To help support the time it takes to create these posts, please use the links below to purchase the pattern, or find my entire pattern and fabric line at shop.ChristaQuilts.com. Many thanks!!

Geese in the Garden Quilt Pattern

Helpful Links

Tips for Making Geese in the Garden – Part 1 of 2

Welcome to my new series where I explain a little more in depth about how I made a recent quilt and share tips to make your sewing and quilting faster and more fun! Today we’ll focus on my Geese in the Garden Quilts made from my Abstract Garden line with Benartex/Contempo.

Geese in the Garden Quilt Pattern

Click here to get the print version of Geese in the Garden pattern.
Click here to get the PDF version of Geese in the Garden pattern.

The “Geese” Design

When I designed Geese in the Garden with it’s radiating diamond-like shapes,  my first instinct was to write the pattern by making all of  the blocks from Half Square Triangles. However, that would have left a seam in the middle of each block which would have disrupted the fabric print.

I knew I could eliminate some of the seams using the “flip and sew” method but there would still be some seams I didn’t like, and it would have created a lot of waste. Here’s an early sketch of it in Electric Quilt with those unsightly seams (in the yellow seeds fabric and the pink roses fabric).

Geese in the Garden Sketch

So then I researched how to sew diamond shapes and discovered that these shapes are NOT true diamonds, but are rather “squished” or “elongated” diamonds. However, the traditional technique to make the diamonds would still work, but I’d have to recalculate the math.

Diamond Cutting

Diamond cutting in process. 

After a bit of testing I figured out an easy way to cut these elongated diamonds with a simple acrylic ruler that has a 45 degree line – no specialty ruler required! It’s all about the width that you cut them, and that information is included in detail in the pattern.

45 degree angle cutting

You’ll get a chance to use the 45 degree line on your ruler when cutting these diamonds.

Because these are not true diamonds, they have a definite left and right side. You can create some really cool designs with “mirror image” units. Here’s a tip to cut them correctly: Cut at least 2 stacked strips at a time. Make sure one strip is right side up, while the other is wrong side up. Or fold the strip in half and you’ll automatically get mirror image pairs.

Mirror Image Diamond Units

Mirror image units – and no pesky seams in the middle of the fabric!

Abstract Garden Fabric Choices

My Abstract Garden collection includes a total of 20 fabrics arranged into warm and cool colorways. However, I wanted fabric selection to be easy for this quilt pattern, so that you could use any fabrics you like.  So it only takes a total of 5 prints to create the design.

Since I was making two quilts (warm and cool), I decided to cut and piece them both at the same time. I starched the fabrics ahead of time before I cut, to help control the diagonal bias edges.

Abstract Garden UnitsClick here to get the Geese in the Garden Kit – in warm or cool.

The fun part about choosing fabrics is creating a radiating, glowing look with your color choices. Because the center diamonds of the design are interchangeable, I played around with them to make sure I was happy with the color arrangement.

Geese in the Garden Units

I love pretty stacks of cut units – don’t you?

Sewing the Geese Rows

Technically, this is a “row” quilt, meaning it’s sewn together into rows, rather than blocks. The super easy thing about this pattern is that each row is exactly the same! To make sewing go even easier, I recommend laying out all of the units, and sewing them into pairs on either side of the center triangle.

Geese in the Garden Rows

Although these are for 2 separate quilts, how fun would it be to alternate the rows?

My tip for sewing units with a 45 degree angle is that you need to offset the triangle tips by the same amount on both sides as you sew. The triangle tip will stick out about 1/4″ inch on either side. Notice the tips sticking out in the image below when the fabrics are matched up, right sides together:

Geese Triangle Tips

Sew an accurate 1/4″ seam, using the point where the two fabrics intersect in the corner. This detail image below shows the sewn seam (stitched with my favorite 50 weight Aurifil thread). Notice it’s been rotated to show the angle at which I sew each unit under the machine. (Make sure to chain piece all the units at once for speed and efficiency.)

Sewing Diamond Units

You’ll know you’ve sewn them correctly when you’ve created a nice smooth edge along both pieces. Don’t forget to trim the triangle tips! I also press all of my seams open so that my blocks will lie nice and flat.

Sewn Diamond Units

Remember, this technique works for ANY units with a 45 degree angle. Below is what the center triangle looks like when I lined it up with the rest of the sewn pairs. It looks a little awkward, but notice how both tips are sticking out about 1/4″. Once the pieces are flipped over right sides together and sewn, everything will come out even, just like the diamond pairs.

Sewing 45 degree angles

I often get asked how I press seams open without burning my fingers. The answer is that I open them up with my fingers ahead of the iron, and I never use steam. Here’s a 20 second video clip showing how I press my seam open, once I’ve sewn my rows:

Here’s the backside of the cool version with all of the rows sewn and those nice, flat, pressed open seams. Doesn’t it look just as pretty as the front??

seams pressed open

Although the pattern comes in 3 sizes, I chose to make the smallest size. But the best thing about this pattern is that it’s the same number of pieces to cut and sew, no matter which size you make. They just get larger as the quilt gets bigger. It only took me a few hours to piece each quit top, so it’s a great design to make when you are in a hurry, and it’s fun to show off your favorite fabrics in the diamonds.

One final tip to share today: don’t stress too much about perfection. Do your best to line up the seams as you sew the quilt, but notice the lower left corner of the image below. The turquoise and blue corners don’t match up perfectly in all the rows,  but that’s ok. Once the quilt is quilted – you won’t even notice it!!

Geese in the Garden quilt featuring Abstract Garden by Christa Watson

Very few of my points line up perfectly – but it still looks great!!

If you found this post helpful, you can help support my blogging efforts by purchasing my Geese in the Garden pattern or any of my other quilt patterns or fabrics at shop.ChristaQuilts.com. They’ll come infused with a little “Christa Quilts” magic, ensuring your success while I cheer you on!

In the next post, I’ll share tips on how I quilted each quilt with two quick and easy walking foot designs, so stay tuned!

Coming Up: More about the Making of My Latest Quilts from Abstract Garden

In between moving, hosting the Blooming Wallflowers quilt along, and planning out my next round of designs, I haven’t had a chance to tell you much about some of my latest finishes. So I thought I’d take some time over the next several weeks to share more in-depth about my process of making quilts from my latest fabric line, Abstract Garden.

Geese in the Garden

Geese in the Garden with Abstract Garden fabric

LatticeWork

LatticeWork Quilt Made from Abstract Garden

Pieced Primrose

Pieced Primrose Quilts Made from Abstract Garden

Just in Case you Missed it – Blooming Wallflowers

Blooming Wallflowers quilt

Abstract Garden Quilt Patterns

Click here to see my entire quilt pattern collection.

Think of the next several weeks as Do It Yourself quilt alongs. They won’t be as in-depth as my regular quilt alongs, but they’ll provide a little more insight into my quilt-making process and will help you have a smooth experience making your own version. I enjoy blogging about the process so that I can include some in-process photos, in addition to the full color diagrams and quilting plans I include in my patterns for sale.

It should be fun and inspiring, so stay tuned!

Learn to use Electric Quilt with my Free Handouts & other Resources

I love using Electric Quilt software, and I use the program for each and every quilt and pattern I design. I often get asked about the best way to learn the software, and the simple answer is to learn by doing. Whenever I need to learn a new technique, I google, “How Do I….. in EQ” and I always find a tutorial to help me out!

As an EQ artist and ambassador for the company, they’ve featured me in several of their ad campaigns over the years which is always fun to see!

If you want to learn how to use EQ I recommend checking out the class resources at ElectricQuilt.com. EQ offers yearly hands-on classes, online classes, as well as resources for teachers. You can also find workshops at most major quilt shows, or reach out to your local quilt shop or guild to see which teachers are in your area.

You can also reach out to the folks at Electric Quilt directly via their help line at techsupport@electricquilt.com. They really want to help you succeed in learning the software and using it to it’s fullest potential!

Electric Quilt 8

Electric Quilt recently released EQ8 with a much easier interface.

I’ve taught others how to use the software over the years, but with my busy quilting career I don’t have room in my schedule to teach it anymore. So I thought I’d do the next best thing: – share two handouts that my friends at EQ helped me create.  Check out the links below. They were written for EQ7 but are very similar to the functionality you’ll find in the newer version of EQ8.

Click here to access my handout – getting started with EQ
Click here to get my handout – designing modern quilts in EQ

When I taught EQ at QuiltCon a few years ago,  they showcased several of my EQ designed quilts in their booth. All of the quilts in my books and patterns were designed in EQ, including the two shown below, from my book Machine Quilting with Style.

Christa and EQ at QuiltCon 2017

Everything I make is first designed in EQ!

Electric Quilt is a very comprehensive program with a bit of a learning curve, but my handouts will help get you started. And trust me, the more you use the software, the easier it gets. For those of you who already have EQ, I also have a resource page where I’ve shared the files for several of my free quilt patterns. That way you can download the files, and open them up in EQ to change colors, layouts, sizes etc. Be sure to check out the additional links below:

Important Links

Happy quilting and learning!!

Tutorial: How to Build a Design Wall for Quilting

When we moved into our new home, the highest priority for me was getting my quilting studio up and running since quilting is my full-time job. I’ve had many people asking me how I built my design wall in my old house, so when we created it again in the new place, I took step by step pictures so I could tell you all about it in detail. So here goes:

Design Wall built by Christa Watson and hubby

My design wall does double duty – I also use it for flat quilt photography.

Materials to Build a 96″ x 96″ Quilt Design Wall

Two Foam Core Insulation boards, 4′ x 8′ each. You can always cut them down if it’s too big. These are available from Home Depot or other home improvement stores. Be careful handling them as they are very fragile and can dent and break easily. When Jason and I purchased them, we had to look through all of them on display to find the nicest, newest looking boards.

Design Wall Boards

Getting the boards home in our SUV was the hardest part of the job! Fortunately they just barely fit in the back of the car with the seats down.

California King Size White flannel flat sheet. Because the design wall is square, you want as much extra room as possible to wrap around the edges. I found a 108″ x 108″ sheet set from Bed, Bath and Beyond. It was easier to purchase the whole sheet set rather than just the top sheet, so I just donated the fitted sheet and pillowcases. You’ll want to iron it ahead of time to get out all of the wrinkles. I did not prewash because I didn’t want it to shrink up.

White flannel sheet for design wall

Be sure to iron out the wrinkles as much as you can.

Supplies: washers, screws, duct tape, screwdriver, level and a staple gun. This design wall is very light weight and attached directly to the wall so no crazy equipment is needed. We used regular 2″ long screws with washers to hold them in place. A level comes in handy, too.

Tools and supplies to build a design wall

Not pictured: duct tape, level, and a hand-held screwdriver.

Step 1 – Tape the Insulation Boards together

The boards we bought have writing on one side, and a silver reflective surface on the other side. We chose the silver side to be the front so that none of the writing would show through on the front. It’s also easy to pin into.

Foam Board Front

One of the boards had a small dent on the front which we didn’t see. Fortunately, it didn’t show up at all, once we covered them in flannel and attached to the wall.

I thought it was funny that the boards say they are specifically for craft projects. I don’t remember that writing the last time I made a design wall for my other house over 5 years ago.

Foam Insulation boards writing

We started off by taping the boards together on top of a couple of tables and barstools pushed together at the right height. But then we realized you could do this on a hard floor as well. My previous studio was carpeted so we needed to do everything on a flat table. This time around, the studio floor worked well for all of the other steps.

Jason taped the back middle seam with duct tape as far as he could reach. We had to be careful handling it because it wanted to fold along the seam. At this point, it’s not very stable, but big and awkward.

Taping the insulation boards together

Step 2 – Cover the Boads with A Flannel Sheet

The reason I chose a flannel sheet is that it’s lightweight, gives an even surface, and fabric and quilts will stick to it. I also think it looks much nicer and cleaner than batting and I can still pin into it if needed. We laid the flannel sheet on the floor first, and then gently laid the taped boards wrong side up on top of it.

Flannel

There was just barely enough width on the floor for the sheet and boards because we installed a floor plug in the middle of the room where my sewing machine goes. It’s important to have a flat work surface when doing this part so it doesn’t dent the foam. I didn’t worry about the top seam in the sheet since it would be wrapped around to the back side.

When this is hung, the seam will be horizontally in the middle so that one board basically sits on top of the other. That will make the seam on the front side less noticeable and will give the whole structure more stability once it’s attached to the wall.

Design Wall in Progress

Very smoothly and carefully, we wrapped the excess flannel around the boards, 2 sides at a time.

Wrapping the board in flannel

First we stapled the “top” and “bottom” sides and then the edges, very close together.  Jason discovered that he had to put a little bit of pressure while using the gun and staple straight down, otherwise the staples would come out easily.

Stapling the sides

After a few staples, Jason drew a straight line so that he could pull the edges taught and even and line up the staples about 5″ or so from the edge. Keeping a little tension on the sheet was important so that it would be smooth and tight across the surface and not sag.

Level for marking

The corners were a bit bulky so I tried to fold them over as best as I could so that it was smooth and tight around the corners. We used lots more staples here. I probably could have cut some of the bulk from the corners, but didn’t want to risk it in case we had to redo something. Fortunately we didn’t and the bulk of the flannel was smooshed flat against the wall, once everything was attached.

On the sides with corners, Jason stapled a few in the middle, then the corners, then worked his way in sections to even out any of the stretch in the flannel.

Lots of Staples in the Corners

We added lots and lots of staples to secure the flannel.

Step 3 – Attach the Design Boards to the Wall

We measured where we wanted to hang the design wall – centered halfway across the room and in between two plugs on the wall. We wanted it 5″ from the floor so we found a box that height that we used to rest the design wall on while we gently nudged it into place.

My job was to carefully hold the design wall against the wall while Jason attached it into place with screws. He used a measuring tape and level to ensure that it stayed straight and square while attaching.

Measure

Jason measured 1 1/2″ away from the edges using a washable marking pen. Then he screwed the screws directly into the wall with a regular screwdriver, making a hole in the flannel that was covered by the washer. The washer gives a decorative element and also prevents the screw from digging into the foam.

Attaching the screws in the design wall

First Jason attached two screws on either side, where the boards meet up in the middle. This would be the two top corners of the bottom foam board. Then he attached screws in the upper corner of the design wall, and then in the lower corners.

Attaching Top Screws

Then he attached 2 more screws in the lower corners of the first design board – so 8 screws and washers to secure the boards to the wall, holding down all 4 corners of each foam board.

Attaching side screws

We attached a total of 14 screws and washers, evenly across the top and side edges. Here’s what it looks like with all screws attached. You can see the faint line where the boards meet up in the middle, but that softens up over time and will be mostly covered by quilts anyway.

Finished Design Wall

I added a recent quilt finish to the wall to give my room a pop of color that I really love! Now I’m ready to make and photograph more quilts for your viewing pleasure!!

Christa Watson Quilt Studio

The quilt on the wall is my Color Weave Quilt Pattern

I hope you enjoyed this tutorial and peek into my sewing room. Because I know you’ll ask – my sewing table is one I purchased from a dealer over 20 years ago. Sadly the dealer is no longer in business and I can’t remember the brand of table it was! But I’m in the process of finding a new table with a built-in side section that forms an L shape – giving me more room to hold up the quilt. So be on the lookout for more sewing room updates, and more fabulous quilts!

Blooming Wallflowers Week 10 – Binding to Finish

Can you believe we’ve come to the end of the Blooming Wallflowers quilt along? I’m so excited to see all of your finishes and encourage you to continue working at your own pace, even if you finish weeks (or months) later.

Blooming Wallflowers quilt

I was literally finishing the hand binding of this quilt on the way to quilt market last fall, so I didn’t get any pics of my binding in progress. However, I’ve written several other binding tutorials, and my process is exactly the same, no matter which quilt I’m making. So choose your favorite method – hand or machine, and enjoy this last step of the process!

Modern Marks binding strips

I cut matching binding strips from my Modern Marks Navy Herringbone print.

Here’s a bonus tip for binding: I like to cut my strips out at 2″ wide and attach them with an exact 1/4″ seam using my BERNINA dual feed (which acts like a walking foot but I can use skinnier feet on it). This gives me a precise finished binding of 1/4″ and it’s even on both the front and back. Many times, I like to use the same background fabric as the binding so that it looks like the design is floating on the surface, rather than being interrupted by a contrasting fabric.

Here’s Blooming Wallflowers hanging in my booth at quilt market last November, along with the other quilt patterns I made to showcase my Abstract Garden fabric.

Christa Watson Abstract Garden

My booth with Benartex at fall quilt market in Houston, November 2018
Other quilts shown are LatticeWork and Geese in the Garden.

And just for fun, below the is the original Blooming Wallflowers quilt I made a couple of years earlier for a quilt magazine to promote my first line, Modern Marks. As you can see, this quilt is fun to make no matter which fabrics you choose!

Blooming Wallflowers in Modern Marks

Blooming Wallflowers Modern Marks

The Modern Marks Navy Herringbone print is one of my all-time faves!

I hope you’ve enjoyed making this quilt with me. And if you are worried about having quilt-along withdrawal, stay tuned for the next quilt along, coming soon!! It features a brand new quilt that I haven’t shared on the blog yet, and I’m sure you’ll love it just as much!

IMPORTANT LINKS

Blooming Wallflowers Week 8 – Machine Quilting Part 2

How is your Blooming Wallflowers quilt coming along? Some of you have completely finished while others are just getting started and that’s perfectly fine. I love to encourage everyone to participate at their own pace. In cased you missed it, click here for quilting part 1 including 4 short You-Tube videos showing exactly how I quilted the blocks.

Blooming Wallflowers made with Abstract Garden and Modern Marks

Today I’ll go over how I quilted the background using one of my favorite filler motifs – jagged stipple. In the quilting plan below, I quilted jagged stipple in the background areas after all of the blocks were quilted. I love filling in a quilt this way: as long as you can trace an unbroken line around your quilt, you can quilt the design continuously without any starts and stops.

Blooming Wallflowers Block Quilting Plan

Quilting all of the blocks first is what I call “anchor quilting” which means that the quilt is secure and won’t shift as I scrunch and smoosh it under the machine to finish up the rest.

I recommend practicing drawing out the design freehand on a blank sheet of paper, and even quilting a practice block to get a flow for the design. The jagged stipple is very forgiving and is basically a series of abrupt jaggedy lines going in every direction.

Machine Quilting Jagged Stipple

I quilted Jagged Stipple on a larger scale for my Improv Squares Quilt Pattern.

There’s really no wrong way to do it! In fact, I love the jagged stipple design so much, that it inspired one of the prints from my previous fabric line – the “Paper Cuts” print from Fandangle.

Fandangle Fabric Paper Cuts

Click here to get yardage of the paper cuts print from Fandangle.

Here’s another short video showing how I move back and forth and all around to quilt this design. I especially love the look of texture on texture when I quilted the jagged lines on top of the navy blue Herringbone print from Modern Marks.

Because I’m using a matching blue Aurifil thread (from my Piece and Quilt Collection – Colors), it’s hard to see the actual stitching, which is usually a good thing so you won’t see all of the wobbles and bobbles as I quilt.

Here’s a detail shot where you can just barely see the quilting. I like quilting textural designs on busy quilts because I want my quilting to enhance the quilt rather than being the star of the show!

Blooming Wallflowers quilting detail

So give this fun design a try – whether you quilt it on this quilt or another WIP (work in progress).

IMPORTANT LINKS

Blooming Wallflowers Week 7 – Machine Quilting Part 1

Now we get to my absolute favorite part of the quilt-making process – machine quilting!!! I’m breaking this section into 2 posts so you’ll have plenty of time to get ‘er done! And thanks to all of you who keep sharing your progress, no matter what step you are on. It’s so inspiring to see all of the fantastic Blooming Wallflowers out there!! Remember to scroll to the end of this post for links to all of the quilt along steps and other important info.

Blooming Wallflowers Quilting

Above is my sewing machine setup. I have a drop in table so that my sewing machine lies flush with the table. I’ve also put another table to my left, forming an “L” so that the quilt has plenty of room and won’t fall off the table. I’ll sit in the chair and scrunch and smoosh the quilt out of the way as I quilt.

Make a Quilting Plan

I always have a plan when I’m going to quilt a quilt. That way there are no surprises and I can enjoy the quilting process. Here’s my basic quilting plan that’s included in the Blooming Wallflowers quilt pattern:

Blooming Wallflowers Block Quilting Plan

I’m quilting 3 different designs: chevrons in the print triangles, pebbles in the light blue triangles, and jagged stipple in the background. I can quilt all of the triangles per block at once without stopping; then I’ll go back and quilt the navy blue background later. I used a light blue thread from my Aurifil Piece and Quilt collection Neutrals on the triangles, and will use a darker blue thread from my Colors collection for the background.

Free Motion Quilting Blooming Wallflowers

Here’s what the back side of the quilt looks like after quilting all of the triangles. I always use the same color thread in top and bobbin so that if there are any tension issues, it won’t show. I don’t mind seeing the quilting on the back of the quilt. In fact, I actually like how it shows up!

Notice how my actual quilting deviated slightly from the plan. I decided to quilt a few more lines in the chevrons, and I embellished the chevrons with an extra row of pebbles and some zig-zags to jazz it up a bit.

Step by Step Quilting Videos

Here are a few short videos of me quilting the blocks so you can see how I did it. Be sure to enlarge the screen for a better view:

First, I stitched in the ditch very carefully around one light blue triangle.

Then I filled in the light blue triangle with pebbles. I’m using a thicker ruler foot because I’m doing the pebbles and ruler work all at the same time.

Next, I used a special acrylic ruler to quilt straight line chevrons. I didn’t worry about the lines being equal in distance or hitting the points exactly. I don’t actually love doing ruler work because it’s a little too fussy for my taste. But I’ll use it to quilt straight lines as long as they don’t have to be exact.

Once the chevrons were quilted, I embellished one section with free-motion zig-zags. I quilted each section of triangles (the Abstract Garden prints and the light blue background) in one pass, with only one start and stop for the whole block.) In other words, I did all of the pebbles in one triangle and then went straight into the chevrons.

To start and a line of stitching, I take about 6-8 teeny tiny stitches and then start quilting normally. When I’m done, I end with 6-8 teeny tiny stitches to hold it in place and cut off the excess threads. Starting and stopping in a seam makes it less noticable.

Next week, we’ll quilt the background! I recommend trying out the quilting designs on a scrap of fabric and batting first, before applying them to your quilt.

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