Fun Things Happening Around Here – Share Your Good News, Too!

I have two quick things I’d like to share!

First, I found out this week that my blog is one of the finalists in the National Quilter’s Circle blogger awards. Thanks you guys for nominating me – that makes a girl feel so great!! Click here to check out all of the finalists and vote for your favorites in all 4 categories. 🙂

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Second, I just got word that my quilt, Modern Logs won a 2nd place ribbon in the modern category at HMQS (the Home Machine Quilting Show in Salt Lake City, UT). It’s an amazing show full of very stiff competition!! I have entered quilts in that show now for the last three years and attended in person the last two times. Of course, it’s one of the ironies of life that the year I am unable to attend the awards ceremony is the year I receive recognition. 😉 I have a running joke around here that I only get ribbons at the big shows I don’t attend, LOL!!

Click here for a list of all of the HMQS 2015 winners.

HMQS_2ndThanks to Michelle Freedman (aka designcamppdx on Instagram) for the pic!

But enough about my good news – I’d like to hear about yours! What good things have happened to you or a loved one this week? (And if you are having a particularly bad week – here’s a virtual hug for ya!! XOXO!!)

Now it’s time to go sew!

Introducing HST in Make Modern Magazine

I’m excited to share one of my latest quilt finishes with you today. It’s called HST and the pattern can be found in the current issue (#5) of Make Modern Magazine.

HST

 HST designed, pieced and quilted by Christa Watson

When the gals at Make Modern invited me to submit a design, this idea literally popped into my head. I love making half square triangles and thought what a riot it would be to make a quilt from half square triangles that form one larger, modern HST.

HSTbed

HST on my bed – I’m not much of  decorator, but this quilt brightens up my room!

It turned out so well that I now use it on my bed and it is so comfy and snuggly! I used Alison Glass Handcrafted batiks from Andover fabrics along with textured solids in 2 shades of grey with a pop of yellow/green just for fun! For batting, I chose the highest loft of Quilter’s Dream cotton that I could and it is very warm. I just love this quilt!

Click here for my previous blog post showing sneak peeks of the quilting and the back.

Charming Chevrons Pattern Makeover – Now Available in 4 Sizes

Exciting news! I’m updating all of my patterns, and I just finished the first one! Charming Chevrons is now available in 4 sizes: Lap, Throw, Twin, and Queen.

CharmingChevronsCover

 Purchase the PDF version of Charming Chevrons here.

 Thanks to the fabulous graphic design work of Design by Lindsie, I’ve checked off something that has been on my to-do list for literally 10 years!!

Charming Chevrons is currently available as a PDF, but as we speak, I’m also getting them professionally printed so that quilt shops can carry them, too! (Just email me for wholesale pricing if you are a shop interested in carrying my patterns.)

I had a certain look I wanted for my patterns, and Lindsie knocked it out the park! She’s busy working on updating my other patterns, too, and I can’t wait! They will all be full-color with plenty of diagrams to help you out. After doing a little research on what others wanted in their patterns, I decided to offer each of my patterns in 4 different sizes. Where possible, I’ve also included extra tips for machine quilting or additional layouts.

Here’s the back cover with the fabric requirements for Charming Chevrons:

CharmingChevronsDigital_back

So, what do you think of the new look?

Just for fun-sies, you compare the new pattern with all of my older ones here.

My Book is Now Available for Pre-Order!!

It’s real – it’s really real! My book is now available for pre-order on Amazon! So before I faint with excitement, please allow me to tell you a little something about it… 🙂

MQWS_cover

My book is called Machine Quilting With Style: From Walking-Foot Wonders to Free-Motion Favorites. That’s quite a mouthful, but I couldn’t be more thrilled! As many others have said, it really is like birthing another child, complete with restlessness, anxiety and weight gain, LOL! 🙂 The “due” date is mid-September, about a month after my own birthday, so I really couldn’t ask for a better present.

It’s been a dream of mine to write a book since I began quilting many years ago, and the perfect opportunity came at just the right time. I had returned home from the first QuiltCon on fire with the desire to share my passion for quilting with a many people as possible. Coupled with my new-found love of the modern aesthetic, all the stars aligned in the best possible way to create this book.

BookPostcardBackSept

Promotional information by the incredibly talented marketing team at Martingale.

Machine Quilting With Style includes patterns for 12 quilts with step-by-step instructions on how to machine quilt them. It also includes a large section on setting yourself up for successful machine quilting, with plenty of motifs to practice. There are a total of 112 pages, and I’m so grateful to Martingale (aka That Patchwork Place) for believing in my vision and allowing me to write the book I was meant to write.

Now that the hurdle of writing and editing is over, I get to engage in the fun part: promoting the book, talking to shop owners about it, creating classes around it, and getting to share it with as many people as possible. I’m pretty sure I enjoy the “social” aspect of quilting just as much as the actual making. 🙂

book-editingThis is what book editing looks like!

Machine Quilting With Style is available for pre-order on Amazon at a discount off the cover price, which is always nice. You can also purchase it from your local quilt shop or favorite bookstore later this summer, or ask them to preorder you a copy when they attend quilt market this spring.

If you’d like to pre-order a signed copy directly from me, it’s just a few dollars more, and I’ll ship mid-September as soon as they come in.

Ok – I’d best get started on the next one, now! (Kidding-not-kidding!)

Teaching in Las Vegas – Come Take a Class With Me!

I’m excited to announce the next round of classes I will teaching here in my hometown of fabulous Las Vegas! They will take place at The Christmas Goose Quilt Shop and you can register for any of them by calling the shop at 702-877-1158.

Here’s the Schedule:

April 29 (Wednesday) 6-9 PM String of Pearls

20140404_stringofpearls_dqnChrista With String of Pearls (66″ x 66″) at the DQN Quilt Show in 2014

One of my favorite quilts of all-time, String of Pearls allows you to showcase a favorite set of fabrics all in the same quilt, with plenty of negative space to feature fun machine quilting. During this one session class, we will learn how to make the blocks and set them together. Cost is $20 plus pattern purchase from The Christmas Goose.

May 30 (Saturday) 10:30 – 5:30 Modern Machine Quilting

modern machine quilting samplesSamples of modern machine quilting on actual quilts!

Join me for a full day of quilting fun! Bring your practice sandwiches or orphan blocks and learn how to let go of perfection while you quilt fabulous walking foot wonders and free-motion favorites on your quilts! Cost is $50.

June 25 (Thursday) 10:30-1:30 Charming Chevrons

Charming Chevrons

Charming Chevrons by Christa Watson, 48″ x 56″

The one that started it all – Charming Chevrons was my first modern quilt, made in 2012. We will learn how to make the smaller version shown above, but you can easily make it in any size simply by adding more charms! Class will cover construction of half square triangles and possible setting ideas. Cost is $20 plus pattern purchase from The Christmas Goose.

Won’t you join me? I look forward to seeing you!

(For even more content and a peek into other things happening at Christa Quilts, be sure to sign up for Friendly Threads, my weekly email newsletter.)

Why I Love Electric Quilt

First things first, my friends at Electric Quilt did not sponsor this post in any way. 🙂 However, they recently featured me in an ad campaign for a couple of magazines (McCall’s Quilting May/June and American Patchwork & Quilting June issue) so I thought I would share a little bit more about why I enjoy using their software, plus show a few designs that are a blast from my past. I’ve come a long way!

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I bought the first version of the program way back when it was EQ4. Back in the days when I was teaching a lot locally (before I discovered modern quilting and realized people would buy my patterns), I used EQ to draw diagrams which I would use as handouts for my classes. The user functionality was somewhat limited and I printed everything in black in white,  but I was able to do pretty much whatever I needed to for my class presentations.

20150320_eqsketch1An early EQ5 sketch where I took a commercial pattern, redrafted and resized it.

I have to admit that I’ve never used the calculate fabric function, because I prefer to do my own math. But, I use most of the other functionality and especially love to be able to import swatches of fabrics and print off full color images of my designs. I also save images of the quilt and individual blocks in photoshop, and then manipulate them to use when writing my patterns.

Over the years I’ve upgraded to EQ5, then EQ6, tried it for awhile on a Mac using parallels, upgraded to EQ7 on a regular PC, and am finally using the EQ7 Mac version natively and I love it. Although it’s still written for windows, there is no difference in functionality between the standard version and the Mac version that I can tell.

20150320_eqsketch2An EQ6 design I made for my oldest son once I learned how to import fabric swatches directly into the program. He sketched the space shuttle and I turned it into a quilt with wonky stars.

I have to tell you I am by no means an expert EQ user. However, I did force myself to sit down and go through the manual, page by page and try out all the tutorials. I’m a learn-as-needed sort of person, so now whenever I need to learn how a particular function works, I just go through their help system, and check out the tutorials and lessons on the EQ site. When all else fails, I google what I’m looking for and will usually run across someone’s step-by-step blog tutorial.

I also really like how many other EQ users will share some of their project download files for free to other users. I’ve also shared quite a few, and you can find my free downloads here.

20150320_eqsketchtempleOne of my early EQ7 experiments where I redrew a paper pieced block to f it inside of a larger frame and added applique lettering. This was a gift for a dear friend & church leader.

So far EQ7 has served me well, and I now use it to design every quilt I make. I will have to disappoint some of you though, and let you know I’ve decided not to pursue teaching classes on how to use it. I did think about this for awhile, but honestly, my time is limited and I’d rather spend it teaching piecing and quilting classes rather than software classes. But the good news is that there are tons of online classes at EQ University that you can check out.

Yes, purchasing EQ software is an investment in both money and time, but for me it was totally worth the cost!

Modern Quilts at My Local Guild’s Show

Quilt Las Vegas 2015

I’ve been a proud member of the Desert Quilters of Nevada for over 18 years now. I’ve participated in their quilt shows for nearly as long and was so pleased when they included a modern category in 2013 and 2014. They did the same thing again this year and I was really impressed with the quality of the quilts in all categories. For your viewing pleasure, I’ll share some of the modern quilts from the show and a few others that caught my eye. Enjoy!

bigstar_vickiBig Star by Vicki Ruebel 66″ x 66″ – 1st Place Modern

diamondback_karenDiamondback by Karen Eaton Garth 21″ x 35″ – 2nd Place Modern

eveningeditionEvening Edition by Suzanne Mayfield, 3rd Place Modern

modernlogsModern Logs by Christa Watson 48″ x 54″ – Honorable Mention Modern (Yay!)

memyshadowMe & My Shadow by Vicki Ruebel 51″ x 36″,  Art Category – Overall Judge’s Choice

lizards_openLizards in the Sunshine by Karen Atkinson 31″ x 31″ – 1st Place Open Category

southwestmedallion_karenSouthwest Medallion by Karen Eaton Garth 72″ x 90″ – 3rd Place Pieced, Machine Quilted, Large

colorfulchevronsColorful Chevrons by Christa Watson 64″ x 80″ – 3rd Place Pieced, Machine Quilted Small (Yay!)

moderncubism_kathy

 Modern Cubism by Kathy Melcic 47″ x 63, Modern Category (Her interpretation of my Charming Chevrons pattern from the DQN quilt retreat 2013 – Yay!)

selvagedSelvaged #2 by Wilhelmina Willis 63″ x 63″, Open Category

cathedralwindows

Cathedral Windows by Darrin Martin 76″ x 90″, Open Category

There were over 230 quilts, accessories, clothing and dolls in the show, and it was quite a fiber feast for the eyes! My only critique of the show is that I wished all items from the same category could have been hung together, but I know they were limited on space and had to make do. I just love attending and participating in quilt shows. 🙂

Now that we are full-swing into quilt show season, which shows will you be attending this year?

QuiltCon 2015 Judging Results #3 – Abacus

Ahh, Abacus. I finally made a quilt incorporating negative space! I also explored my love of machine applique which I just don’t do enough of. 🙂

abacus_quiltconAbacus, 32″ x 32″  by Christa Watson. It was judged as a “small quilt” although it could have easily fit into the applique or negative space categories, too. A bigger version may be in order!

Abacus is probably one of the quickest modern quilts I’ve ever designed and made. The colors and layout came together quickly and the quilting was simple to design and easy to execute. Entering it into QuiltCon was an afterthought, but I’m glad I did because it was fun to see it hanging in the show. I was also very pleased that it hangs nice and straight.

Here are the judges’ comments for Abacus, a modern wall quilt:

  • Quilting stitch well done.
  • Binding well applied.
  • Push your own boundaries in color and design.

abacus_detail_smDetailed quilting on Abacus – quilted with a walking foot – so fast, easy and fun!

After sharing all 3 of my QuiltCon quilts (the other two evaluations are here and here), a clear trend emerges. All three commentaries proclaim excellent workmanship and two of them specifically mentioned good binding which is usually the number one suggested improvement in quilt shows. Where I need to ramp up my game is in my design. I need to go a little more bold and a little more modern and I’m totally cool with that!

In my quilt show experience over the years, it seems that traditional shows put more of an emphasis on workmanship whereas modern and art quilt shows give more value to design impact. While both are important in a well-made quilt, I’m certainly encouraged to “push my own boundaries in color and design” for future quilts.

I will still continue to enter modern quilts into traditional shows, but there’s nothing like getting good, informative feedback from judges who have an eye trained towards modern design.

 Abacus is available to purchase as a PDF pattern.

QuiltCon 2015 Judging Results #2 – Optical Illusion

Optical Illusion is the second of the three quilts I entered for judging at QuiltCon. I actually made this quilt specifically for QuiltCon, so I was very pleased when it got in. I’ve been crushing on simple geometric designs in a limited color palette, so this quilt really allowed me to explore that desire. I definitely think more black and white quilts are in my future.

And yes, it moves when you scroll it! 🙂

optical_illusion_quiltconOptical Illusion 67″ x 88″ by Christa Watson.

Most people were surprised at how big it was in person.

Optical Illusion was placed into the piecing category which includes this description, “quilts that are machine pieced and reflect a particularly strong or innovative use of piecing.” I guess you could say this quilt was pieced innovatively, although I was secretly hoping for it to be in the minimalist category. I’m still learning exactly what minimalism means. 🙂

Here are the positive judges’ comments, along with my commentary:

  • Quilting motif supports the design. I’m glad – since that’s what I was going for – geometric simplicity that doesn’t overpower the quilt.
  • Binding is well proportioned and applied. Double yay since the binding on this quilt is what stressed me out the most!

cwatson_opticalillusion_detDetail of quilting on optical Illusion – free-motion boxes.

Here are the areas for suggested improvement, along with my thoughts:

Design direction lacks focus. I was afraid of this – the judges viewed the quilt so close up that I’m afraid they missed the point of the quilt. I don’t think they read the artist’s statement either, so to them it probably just looked like a bunch of black and white squares, and they didn’t get to see the effect of the optical illusion.

I had one slight disappointment in that whoever printed off the paperwork for the show got the name wrong. I had entered it as “Optical Illusion” (I went back and double checked all my acceptance emails to make sure it wasn’t my error), but the title was listed as “48”. I can only imagine that was some kind of typo or mail merge glitch. However, much to the credit of the MQG, they did fix it immediately, once I notified them. Unfortunately, it was too late to know whether or not the incorrect title had any impact on the judging. But you know what? Rather than get all upset about it, I’ve learned through experience sometimes these things just happen. Inadvertent mistakes can be made by volunteers who are doing their best, so there’s no need to beat them up about it. 🙂

The best part about sharing this quilt was seeing the reaction it generated. I’m sure I’ll enter it into more shows in the future.

Quilt should be cleaned before entering into competition – lint. I knew I’d get knocked down on this. The quilt wasn’t linty or dirty, but the batting bearded (shed) like crazy through the black fabric on both front and back. When using dark solid fabrics, I need to stick to a black batting or one that doesn’t beard, like 100% cotton. I used Quilter’s Dream Orient which I’ve used before in print quilts with no problems. The batting is a mix of bamboo, silk, tencel and cotton. I’m not sure which fiber caused the problem, but that just means it’s time to experiment and make more quilts!

I share these critiques with you so that we can learn together what makes a successful quilt.

OpticalIllusion_quiltcon_meStanding next to Optical Illusion for scale. Though I’m pretty short so that may not help much.

I have had quite a number of people asking me for a pattern for this quilt. I am in the process of writing one now, so stay tuned!

QuiltCon 2015 Judging Results #1 – Spiraling Out of Control

I recently received all 4 of my quilts back from QuiltCon. Three of those were judged so I thought it would be fun to share the results with you along with my commentary. I’m a big advocate of sharing your work in local and national quilt shows and being open minded when it comes to the judges’ critiques. Because I really want to delve into this subject, I’ve decided to write about each of the three quilts in three separate blog posts over three days.

spiraling-at-QuiltConSpiraling Out of Control by Christa Watson, 70″ x 70″

The obligatory picture of me next to the quilt for scale. I’m still figuring out how to not make my quilts wavy when they hang, but the majority of show quilts do this, so I don’t feel so bad.

Spiraling Out of Control. It was placed into the improv category by the show organizers (entrants did not select their own categories this year). That category had the largest number of entries, so it was fun to be one of them. I’m still on the fence as to whether I like the idea of not having to pick a category, or if I’d rather have more say in the process. The great thing about QuiltCon is that it answers the question of “What is a modern quilt?” Just look to any QuiltCon quilt in any category as an example of at least one element of modern quilting.

Many of you may remember Spiraling from the MQG quilt challenge sponsored by Riley Blake last year. The great thing about that contest was that it challenged me to be creative while working within a limited palette.

Here are the judges’ comments for this quilt:

  • Well quilted
  • Good design choices in the quilting
  • Would have liked to see more variety and exploration within the blocks

spiraling_detailClosup of the quilting using lots of straight lines for texture.

I’m really pleased that the judges thought my workmanship was well done. I was a little stressed about the quilting not being perfect because I actually free-motion quilted all of the straight lines so I wouldn’t have to turn the quilt! Getting good feedback on my workmanship makes me feel better about my efforts.

The last point is definitely valid, but this is where it’s tricky for the judge to know the full story behind the quilt. As a design challenge, my variety of colors was limited so I couldn’t explore too much there. Also, I wanted all of the blocks to give the same diagonal effect so I really didn’t want to change the overall look or feel of the block structure. So maybe this quilt would have fared better in the modern traditional category since it also looks like a modernized version of a traditional string pieced block, although the techniques I used are vastly different.

spiraling_cool_photo

Photo credit goes to planetdorth on instagram. I love the juxtaposition of the guys’ striped tee next to this quilt. It was fun to watch people stare and get lost in this quilt!

All in all though, I’m very pleased that it was part of the show and for sure I will try to go out on a limb more with future designs. One of the best things about having this quilt in the show is that it definitely raised my profile as a quilter and several people came up to talk to me about it. It’s already been featured in a couple of different magazines and has been seen in several shows, so the time I took to make it has been well worth it. Suffice it to say that a pattern is definitely coming, but it will be a few months down the road….